This fabulous floor lamp came into our lives recently.
It’s by artist, Bernard Rooke and dates from the 1960s/70s period. Bernard Rooke was born in 1938. He attended Ipswich School of Art and Goldsmiths College, London where he took up pottery. He set up a workshop in Forest Hill in London in the 1960s, sharing the space with Alan Wallwork whose work we have sold in the past. Bernard’s pieces are very sculptural and he found that producing lamp bases made his pieces even more acceptable and accessible for the public to have in their homes. They’ve remained a mainstay of his output over many years.
There are bulbs both at the top and internally, and this gives a great effect when illuminated – light diffusing through all the little holes and casting shadows on the wall behind.
We’re now on a hunt for the perfect shade. It has to be Hessian or raffia, we think – and a fair old size too – the lamp base itself stands 3½ feet tall. Let us know if you have one for sale or know where there’s one lurking. We currently have around five lamps that need shades, but this one’s probably top of the waiting list!
We’ve placed the lamp in our bedroom where it shares the space with other studio pottery from the same era. We like these little groupings of pots. They’re all in quite subdued tones of brown, beige and oatmeal so don’t shout for attention, but we love these subtle variations in colour, shape and texture.
The lamp has real impact when you walk into the room. It has the potential to work well in all kinds of settings – from boho-chic to mid century modern. In addition to working well with the other pottery in the space, we also like the way the circular form is echoed by the cane mirror. There’s a classic 1960s starburst clock on the wall close by too. It might not be everyone’s cup of tea, but we really love it. And we know a good friend of ours will be eyeing it up jealously (and we have to admit that it would look perfect in their house)!
It’s very surprising that in our ten years of trading as H is for Home (and in the vintage ‘hobby years’ prior to that), we’ve never actually bought a piece of Terence Conran designed ‘Salad Ware’. Well, as of this morning, those days are over.
Here’s our lovely new plate with its classic vintage 1950s design of fruit and vegetables.
We love the shapes and colours… and its pared back simplicity. We even like the radish-shaped back stamp detail. It still looks modern today – imagine the impact it made over 60 years ago.
We might just have to stroke this piece a while before selling. Well, the house walls are newly painted, there’s a small space available… and it did come with hanging hooks!
Ladies & gentlemen, boys & girls… please let us introduce a fabulous display of animals, carriages, lion tamers, strong men and clowns! What a lovely way to start the day – breakfast served on this cheery crockery!
They’re from the ‘Circus’ range designed by Elayne Fallon for Staffordshire Potteries Ltd in the 1960s/70s.
This little set comprises mug, cereal bowl, egg cup and plate – everything you might need!
The pieces are dinky, but not miniature – so whilst they’re no doubt intended for children, there’s certainly no reason why us grown ups can’t enjoy our egg and soldiers served on them too!
We don’t do much charity shop trawling these days, but there’s one right next door to our local Post Office – so we always have a look through the window when we send parcels. Every now and then, something catches our eye which was the case today with these lovely orange tea trios.
They were made by Staffordshire Potteries Ltd in the 1960s/70s and are typical of the type of wares produced by the company during this era.
We’ve come across storage jars, mugs, soup bowls, plates and tea sets in the past – colourful and fun would sum them up.
We’ve handled lots of their stuff over the years and it always proves popular in our shop.
Artists such as Elayne Fallon were responsible for the vibrant designs.
The pottery is not only attractive, but very robust too – so perfect for heavy use in the kitchen , dining room, garden or camp site.
You don’t come across these everyday, so we thought that they were definitely worth featuring in a blog post. We are, of course, referring to the cups and not the chocolate digestives!
This range of crockery is very hard to find – in fact we’ve been waiting for about 10 years to find a piece. The pattern will be very familiar to vintage fans – the unmistakable Lotus pattern designed by Arne Clausen – and famously used on Cathrineholm enamelware – kettles, coffee pots, saucepans et al – shapes designed by Greta Prytz Kittelsen. Here it’s being used in this range of vintage crockery made in England.
It was produced by Adams Pottery – a member of the Wedgewood group. Their range is called Micratex Catrina, but there’s no doubting it’s identical to Lotus. It was being produced way back in the 1960s. Did Arne Clausen give Adams permission to use it – or did Adams copy it? We’re not sure – it’s a rare oddity.
We’ll enjoy drinking our coffee out of them whilst we investigate further!
Last week, we featured a wonderful set of vintage bull plates – this week we have some equally fantastic fish plates!
We bought five of the set in a single purchase and then managed to track down the missing plate in the following days.
It’s now a fabulous and complete set of six.
They’re highly stylised with beautiful detailing – dancing air bubbles, fluttering scales and swirling fins. We certainly haven’t seen anything similar in the local rivers or canals!
They’re from the Aquarius range produced by Washington Pottery in the 1960s. In 1970, Washington Pottery became English Ironstone Pottery Ltd. Three years later, it became English Ironstone Tableware Ltd, so you can trace the age of an item from its back stamp.
As with the bull plates, these colourful fish plates would look amazing displayed on a long shelf or mounted on a wall. Both types are listed in our web shop.