This was an interesting recent buy. It’s a rather lovely painting of an angel. Archangel Michael or Gabriel perhaps? The wonderful colours and stylised nature of the piece really grabbed our attention.
It was produced in 1968 by Renate Doktor – and there’s certainly something very distinctive about the treatment of the subject matter that puts it in this era. It’s painted on board – unframed, but mounted on a Hessian backing – again very common of the period.
We think it’s very charming. If you’d like this particular angel to watch over you, just drop us a line. We’ve priced it up at £75.00.
I’ve had a great response from people about my early birthday present, an original painting by Ken Law (1919-1988) entitled, “Oldham Landscape”. I thought I’d look into and share more of his wonderful artworks as this week’s Designer Desire.
For years, there was absolutely no information about Ken on the internet. Then his son John came across an online forum of people all over the world who either appreciated or owned examples of his work. John filled in a few details (one being to confirm that Ken Law the LSO cellist and Ken Law the artist were indeed the same person!). The family still own many of his works and two of the forum members visited Ken’s widow and photographed some of them. These have been shared on the forum.
A dedicated website has been created by Ken’s grandson however, other than some background information, just over half a dozen or so images of his oils and watercolours have been uploaded.
Additional image credits:
Deerfieldpb | Flickr | Ken Law
We’ve mentioned a few times previously that we love the work of artist Ken Law – and have a small collection of his 1960s prints – Hampstead High Street, Tower Bridge and New York Bridges, to date. Well, I was browsing a well-known online auction website a couple of weeks ago – and did a quick search for Ken Law to see if any of his vintage prints were currently for sale. My jaw dropped when this original oil painting appeared before my eyes – only just listed. Straight away I thought, “Oooooh, early 50th birthday present?!”.
The painting depicts Oldham – a Lancashire (now Greater Manchester) mill town about 15 miles from here. Perhaps former mill town might be more accurate now; at its peak, it was the largest cotton-spinning town in the world. Justin grew up in the neighbouring town of Rochdale and often went to Oldham on Tommyfield’s flea market day – and for nights out in his youth! So this landscape is very much in his psyche – and mine too, as an honorary Northerner, residing here for nearly 20 years now.
It’s a classic Northern Industrial scene – factories, terraced houses, chimneys – the Pennine moors in the distance. This picture captures it on a winter’s day, sun low in the sky, snow covering the rooftops and vehicles slipping & sliding down the hill!
Ken used oil on gesso – the surface being painted, scratched and gouged. It’s full of character and texture. We’re still researching, but we think that this painting was exhibited at The Royal Academy in the late 1960s.
By this point, you’ll realise that we can describe it quite accurately and have taken lots of photos – yes, it did become my 5oth birthday present – it arrived today!
I just couldn’t let the opportunity for a genuine Ken Law depicting favourite subject matter slip through my fingers. There are certainly no regrets now it’s arrived – it makes me happy just looking back at the photos in this post.
Much loved already – I’ll always remember when it came to live with us. A real birthday treat!
In our last Ken Law inspired post, we mentioned that we were on the lookout for a copy of his ‘New York’ print. Well, our wait is over!
We bought this cute little example last week – for the bargain price of £1. The stylised river, bridge and skyline scene is classic Ken Law. We love how he creates an image incorporating a series of coloured ‘blocks’. It’s so imaginative and distinctive.
Despite only being small, it still grabs your attention as you turn a corner on our landing. We’ve hung it alongside a group of vintage West German vases. We thought the styles and colours worked very well together. One of our last foreign trips (pre Fudge) was a fabulous ten-day holiday in New York – so, in addition to being an eye-catching decorative piece, it’s a lovely reminder of some great days sightseeing, shopping and drinking cocktails in El Quijote!
Last week, we published a post about our recent decorating exploits – specifically our top floor bedroom and its shades of grey and black. At that point, there was a large space above the bed waiting for a suitable piece of art. We’d mentioned that there are lots of things relating to nature in the room – and also copper highlights dotted about. Imagine our joy when we found this gorgeous vintage 1960s beaten copper plaque at a local flea market this week.
The first thing we saw peaking out were the feathers. “Oh, that looks interesting!”, we thought…
…and, as we pulled it towards us for a better look, the bird’s head was revealed.
We absolutely love it – the stylised bird, so typical of the era, the materials used, texture, patina and colours. We thought we’d be waiting quite a while to fill that long, narrow space with something suitable – but a few days after taking the initial photos, there it appeared. We very nearly missed the market that day too, but fortunately fate intervened!
A couple of weeks ago a fellow vintage dealer posted a photo on Instagram of an artwork they owned. Straight away I recognised the artist’s work – we also own one of her paintings. Her name is Rosslyn Ruiz… and it was the first time we learned of her full name.
Ruiz tended to sign her work merely ‘Rosslyn’ hence the reason we couldn’t find out anything about her before that fateful day. Ever since then, I’ve been on a quest to find out more about her and other examples of her work.
After quite a few Google searches, I stumbled upon a photo taken of the back of one of her paintings on which a label was stuck with the following inscription:
Rosslyn Ruiz was born in London in 1935. She is completely self-taught and began painting professionally in 1960 working with most recognised mediums and unconventional ones as well.
Her need to ‘create without rules’ has enabled her to explored and expand her techniques in texture and form. By combining holograms and collage with more traditional materials she creates contemporary paintings and has developed a unique style that demonstrates excitement and free spirit.
Rosslyn has had many successful exhibitions in Europe, America and Spain. She became well recognised in the 60s after her work was purchased by celebrities such as John Lennon, Jaqui Dupre, Thora Hird, Haley Mills, Jack Palance and Charles Bronson.
She appears to be still practising and is currently a member of Ely Art Society.
Additional image credits: