This Friday, we’re really pleased to be featuring local artist, Olivia Pilling. We first saw her gorgeous, colourful paintings in Todmorden Fine Art. Owner, Dave Gunning was excitedly enthusing about this new and extremely talented young artist that he had just started representing. About a year later, we went for dinner at the Todmorden Vintner and saw two large paintings on their walls… unmistakeably Olivia’s work. When we said to the owners how lovely they were and if they were in fact done by Olivia, they said yes, she’s their niece! Since then we’ve been to the restaurant to attend an exhibition opening of her work – and she’s invited us to another one happening next week – we’re really looking forward to it!
Who are you & what do you do?
My name is Olivia Pilling. I’m am artist, more specifically a painter. I work in acrylics. I’m 26 years old, and have recently moved to Manchester from Todmorden.
How did you get into the business?
It was by accident to some extent. I was doing my Fine Art degree at the time in Nottingham but over the long summer holidays I’d have small exhibitions at the Todmorden Vintner restaurant back home. I needed to get two paintings framed, so went down into Todmorden Fine Art gallery to get them framed. The paintings were just placed on the floor (apparently lent against the wall of the gallery to one side) when one customer came in and took a shine to them and offered £250 for them, then another customer came in and offered £500, then another came in and offered £750! As a skint 19-year-old student, I was ecstatic when I heard! Since then, I’ve been selling my work through the gallery mentioned and have gone on to sell with four others in the North West and the Midlands.
Who or what inspires you?
I don’t have to go far before I feel totally inspired to paint. I love to walk, and try to do everyday. When I lived in Todmorden on the hilltops, I’d walk to the end of the hill and be surrounded by rugged moorland, patchwork fields, steep cliffs and be able to look down to Todmorden in the valley to my left and Cornholme on my right. Cornholme especially is a feast for my eye, the train-line runs straight through it squeezing through the valley walls. Dotted around are rows of terraces, mills chimneys and zig zagged shaped factories. It’s like a little toy town, it looks very sweet and quaint. The shapes, angles of the architecture really appeal, it allows me to create wonderfully simple fresh planes of colour with one brushstroke but still with a decorative element. I’m unashamedly a sucker for aesthetics and colour. I try to squeeze as much colour as I can into my paintings, and in parts, sections of my work will look abstract as I put brushstrokes of rich colour anywhere I can.
Travelling inspires me, especially exotic colourful places. I was lucky enough to go to India last year, and visited Jaipur known as the pink city and Jodhpur know as the blue city, I was in heaven with the colours and decorative jewellery and clothing, and architecture. I’m planning a trip to Jordan next year. It appears to be an absolutely fascinating place. David Bomberg’s paintings of Jerusalem and Petra are a real inspiration to me, he handles paint amazingly and creates such beautiful paintings.
I love the work of the Fauvist painters, specifically Jawlensky, Vlaminck and Kandinsky. Russian folk art is also an influence – the heavy use of black in the motifs and drawings, help to make the colour pop and this is something I try to do with my own work. I like to play around with light sources in my work. Having light coming from different directions can give a sense of isolation, and confusion, Russian folk art does this very well. It makes the image look quite enchanting and mysterious.
What has been your greatest success?
I think simply my greatest success is just being able to do what I do for a living. Sounds cheesy I know, but I forget how lucky I am to to able to do something that I love on a daily basis. I came straight out of university and more or less started to sell work immediately. To have someone like your work is great, to have someone love your work is fab, but to have someone actually want to spend their hard earned cash on my work, that’s unbelievable – the feeling never gets old.
Have you got any advice for someone wanting to break into the business?
I’m not quite sure I have some advice about how to actually get into the business, as the circumstances about how I got involved were quite accidental. The obvious thing to say would be to approach galleries and see if they are interested in your work.
I would say though that if painting is a real passion then you just have to stick at it, and be clear that it is what you really want to do. Sometimes you’re up, sometime you’re down, and sometimes you’ll get knock backs, that’s just the way it is but if you’re passionate about it, then the rest will hopefully fall in to place!
Abstraction (still life), 1948
