It was wonderful seeing his work ‘in the flesh’ so to speak, rather than in books or on the internet, to appreciate the scale. The ‘Florence’ Tigo-Ware vase on the left of the photo above is over a foot tall.
His black & white sgraffito designs are very eye-catching and distinctive.
Apparently, he designed and produced these keyhole-shaped ashtrays as presents for friends one Christmas. I’ve never seen one on the open market, they’re absolutely beautiful!
A lot of his ceramic work is concerned with the female form and visage – my friend and I wondered whether his wife Freda, who was pictured in many of the photographs in the exhibition, acted as his muse.
Reich may be best known for his textiles (his designs were on the seats of Concorde and the QE II), however his practice was multifaceted. Ceramics, fine art, photography… he even designed his own home including the ‘flaming onion’ fire in his sitting room, shown above.
Tibor Reich: Art of Colour and Texture, shown above, was published earlier this month to accompany the exhibition. It can be purchased here (£35.00). The Tibor Reich exhibition runs until August 2016, so you still have lots of time to check it out – it’s well worth it! If you can’t get to Manchester, the University of Leeds (where he studied) have a huge archive of his textile work which can be viewed online.
In an adjoining room, there was an exhibition of vintage wallpaper (which runs until the 4th of September 2016). With the room’s huge, tall walls the long rolls were shown off to spectacular effect.
Although I loved most of the designs, it also made me realise how overpowering some of the patterns would be if all four walls in a room were papered. A small feature wall would suffice!
There were display cabinets of wallpaper samples – here are two of my favourites.