It was written not only with Greta’s close cooperation, but with extensive contributions from her – in the form of interviews, added text, selection of images and so on. You really are getting to know the artist intimately.
Greta was one of the foremost Scandinavian designers of the Mid-century Modern era – in addition to which she also collaborated with many of the other great names from the period.
She had “a thorough knowledge of materials, vast technical skill, independence and originality.”
Her work has directly touched the daily lives of countless thousands with her ranges of beautiful yet practical kitchen & tableware.
She’s rightly praised for making good design accessible as she simplified the production process wherever possible, thus keeping retail prices affordable.
She’s immediately associated with the iconic Lotus cookware produced by Cathrineholm of Norway in the 1950s – ironically, the repeating leaf pattern of the Lotus range was the work of another designer – Arne Clausen.
She was responsible for the form & colours of the range – and apparently preferred the enamel without the additional decoration.
Her range of products is vast – pots, pans, plates, cruets, bowls and cutlery.
There are decorative objects too, such as candelabra & vases…
…and not forgetting the beautiful jewellery – we just love her jewellery!!
The book is very well written – comprehensive, entertaining and informative.
It’s full of wonderful archive images, product advertisements & brochures.
Also, fabulous photographs of her work – which is some feat as the beauty of enamel is very difficult to capture in print.
The book concludes with a wonderful reference section including a fully illustrated catalogue of works and chronology.
It’s a must have book for anyone who shares our passion – or is not yet familiar with her work.
Ancoats is an interesting part of Manchester – the steady process of regeneration is ongoing. There are some wonderful buildings – unspoilt, Victorian gems – brick terraces, old pubs, churches and former industrial sites.
Hallé St Peter’s is one such building with it’s magnificent sense of space & light.
It really came to life with all the amazing homewares on display – and exhibitors were the perfect mix of familiar faces and new talent.
Heather Linnitt aka Eclectic Chair is someone whose work we highlighted at last year’s Independent Interiors Show. We love her soft furnishings & upholstery work – using coffee sacks, vintage and retro fabrics. The Stig Lindberg-style fabric chair was a stunner – and we’d happily give house room to the Papua New Guinea coffee sack sofa too!
We also saw the mosaic art of Amanda McCrann at that same event last year. Her stall was very eye-catching once more. The artwork is available in the form of original pieces or alternatively, prints & stationery incorporating her distinctive designs.
Her fabric designs are a real joy – full of life, colour & vintage charm.
Anthony Hughes‘ work was new to us. We had a nice chat with him about the influence of industrial architecture & detailing on his work – finding beauty in the mundane & neglected… and our shared love of a good pylon!
His range of stationery, wallpaper & fabric uses the photographs & artwork he produces at his Leeds base.
The cotton fabric is made in Edinburgh & cushions feather-filled – temptation was rising!
Blooming Balconies was a very friendly & approachable team – and their display provided a real blast of colour in the hall.
They design a range of containers & tubs, some with clever fittings for railings & drainpipes. Their stall looked perfect next to a sunny window.
Her work incorporates braiding, crochet, paper-cut & collage. She had some very striking mirrors, artwork & lighting on view. She’s fresh out of university, so we hope her future is as bright as her creations!
Grey Moose Designs only had a small display, but their vintage industrial lights grabbed your attention from all over the large church space.
Skill, imagination & high quality craftsmanship were clear to see on Richard’s recycled & re-purposed lighting.
One of our favourite exhibitors on the day was Kate Bufton.
She manipulates the shape & form of old books to produce her artwork – framed pictures and these stunning glass domes.
Katherine Lees also had a very photogenic display. Her exquisite, hand-decorated ceramics in the form of old bottles & keys to form vessels & jewellery were getting lots of attention.
It was very hard to walk away from the orange & grey quilt produced by Lisa Watson and pictured below. She incorporates traditional Harris Tweed & sumptuous velvet fabrics into her creations. Gorgeous!
This time it was the bold, monochrome, graphic quality of pieces that made the display stand out.
We loved this table produced by Oh, Bother. It’s made from recycled wooden palettes. They had all kinds of interesting, quirky pieces to buy.
Rachel Britch is another recent graduate – her lighting surprised us when we touched it. We thought it was soft & fluffy from a distance, but it actually had a stiff, bristly feel.
Rachel Johns is a near-neighbour from the Calder Valley – Hebden Bridge to be precise. She uses ink & thread – producing much of her artwork with a big stick. Yes, that’s a big stick. It’s very distinctive – whimsical & playful.
There were practical workshops taking place throughout the day…
…with sewing machines whirring and paintbrushes twitching.
They had the perfect cushions for Justin & Fudge. In addition to their ready to buy products, handmade fabric items can be custom made to capture favourite buildings, street scenes, people or pets.
This has been quite a lengthy post and we’ve only mentioned about half the exhibitors! Keep an eye out for the next event – whether you’re a potential exhibitor or customer. Hopefully we’ve given a flavour of this well run & well attended show. We have a camper van fund that we’re trying really hard to build up, otherwise we would have left Home is in the North with a car packed with goodies. Tripod light, eight cushions, large quilt, table, glass dome, some tea towels, two pictures, box of stationery, set of mugs, three flower tubs – and a sofa!
This copy of Retro Magazine arrived last week. It was sent by the lovely people at Hus & Hem as we’d supplied an image of a yellow Finel coffee pot for them to use.
Hus & Hem (and this off-shoot publication) hails from Sweden so we did have a slight problem to overcome with regards to the language barrier. We should be fluent in Swedish judged by the number of Scandinavian crime dramas we watch – but alas not!
It didn’t stop this magazine being a very enjoyable “read” for us though. We could pick up on the general gist of the articles, but we mainly let the pictures do the talking.
There’s certainly no shortage of them with lots of vintage retro gorgeousness to peruse.
Scandinavia is of course home to many great designers both past & present – and the source of many pieces so sought after by collectors. So it’s no surprise that they should have some excellent publications dedicated to the subject.
The magazine crams loads in. There are some inspiring house tours, vintage fashion and features on classic design.
As you can see from the article on Mari Simmulson & Upsala-Ekeby pottery for example, these articles are quite extensive and make great source material for identification or collecting.
There are also current product pointers and a location tour with an eye to vintage design & retail opportunities.
In this issue, Helsingfors (Helsinki in Swedish) is the destination – it’s gone onto our list for when we do that much longed for Scandinavian camper van tour.
The photography is excellent throughout. There’s also much use of vintage magazine articles & advertisements to display products or show items in situ.
It costs about £5.00 per issue.
It’s definitely worth giving a try – you might even learn a new language!
Well it’s finally happened – Andy Murray has broken the drought of 77 years. Wimbledon has seen the first British men’s champion since Fred Perry way back in 1936. To celebrate we’re sharing this vintage Wimbledon poster designed by Herry Perry (I wonder if she was any relation to Fred) in 1931 for Underground Electric Railways Company Ltd. Prints are available from the London Transport Museum.