We’ve mentioned ceramic designer, Birger Kaipiainen (1915-1988) before on our blog – we have a cup & saucer that he designed for Arabia. A place where he claims he was, “able to grow like a weed”.
Whilst researching this post, I’ve discovered a plethora of brilliant works by him. He produced an impressive mural – 9 x 5 metres – for the 1967 World Exhibition in Montreal entitled, Orvokkimeri (Sea of Violets). Most of his other works are on a much smaller scale; vases, platters, chargers and table and serveware.
Vintage examples of his work can occasionally be found on 1st Dibs, Bukowskis, Etsy and eBay. The Finnish Design Shop sells a few of his designs that are still in production.
There was a book written by Harri Kalha to accompany a 2013 exhibition of Kaipiainen’s work that’s found its way on to my wish list!
This is a Designer Desire post for all you vintage fashion fans! Vuokko Nurmesniemi (born 1930) was one of the two main pattern designers at Marimekko during the 1950s. Her striped Jokapoika (top image) was one of the company’s best sellers.
I just love her big, bold op art designs, many of which are in the New York Met’s permanent collection. Those tent coats and dresses are to die for!
I couldn’t find much of it available online. However, a few sellers on Etsy stock vintage Nurmesniemi-designed Marimekko and her own brand Vuokko Oy pieces.
Additional image credits:
Marimekko | Pinterest
Last week, we blogged about a couple of vintage Palaset storage boxes we put into our shop. Today, we’re featuring their designer, Ristomatti Ratia.
By all accounts, he has so far led a very colourful life. He’s been married numerous times, had a challenging relationship with his mother and had even appeared on the Finnish version of Dancing with the Stars.
He has, however, found the time to design all manner of products in his 50-year career. From clothing, spectacles, jewellery, glassware, cutlery and bedding to a free-standing fire and even a boat-shaped coffin and urn for ashes!
He’s best known for a couple of his early designs; firstly, his 301 shoulder bag (shown above in green) for his parents’ company, Marimekko. The other is the aforementioned, award-winning Palaset modular storage system – the LP units are especially sought after by vintage vinyl junkies. I discovered today that the ever forward-thinking Sir Terence Conran stocked Palaset in his Habitat shops in the 1970s. The image of the beanbag-seated lady is taken from a vintage Habitat catalogue.
His contemporary designs are readily available from the Finnish Design Shop and the Ratia Shop. His vintage designs pop up from time to time on 1st Dibs, eBay and Etsy.
Ristomatti Ratia has, as one might expect, a beautifully furnished home. You can take a house tour here.
Additional image credits:
70 Luvulta | Flickr | Mundadaa | Why not 2nd Cycle
I just love chunky, modernist, almost brutalist Scandinavian jewellery and when I discovered the work of Björn Weckström it went straight into top spot on my wish list.
Weckström (born 1935) is a fine artist and sculptor but it is for his jewellery that he’s probably best known. His work is often inspired by ancient Greek mythology, nature and the landscapes of Lapland.
He’s a prolific maker – primarily for Finnish company, Lapponia – so examples of his work are readily available from outlets such as Bukowskis, eBay, Etsy. His pieces are mainly crafted from 18 carat gold, sterling silver, precious stones and pearls so they’re not going to be cheap. They’re individual, heirloom pieces – in my opinion, very much worth the investment.
A necklace entitled, ‘Planetoid Valleys’ and the ‘Darina’s Bracelet’, both designed by Weckström for Lapponia was worn by Princess Leia (Carrie Fisher) in the closing scene in 1977’s Star Wars film.
Weckström has said of his work and the wearer’s relationship to it:
A piece of jewelry is a miniature sculpture with the human body in the background. When I first began in the early 1960s, I wanted to turn jewelry design into small-scale form of art and raise its profile on a par with that of modern sculpting. Naturally matt gold soon became my trademark. Wearers of my jewelry relate personally to it. Some think jewelry is art, others think it is an intriguing complement to their personality or a fascinating conversation piece. Some think that it is quite simply beautiful.
Additional image credits:
1st Dibs | Artnet
We think this might be the first time we’ve featured a designer who is also an accomplished architect. Alvar Aalto (1898-1976) was a Finnish product designer who worked in furniture, textiles, glass and lighting.
He designed many buildings that are located all over the world and include churches, museums, hospitals, private homes, a sanatorium, a library and an event venue.
Many of his products are still in production today. We’ve linked to a couple of the places you can find them below.
Aram | Arch Daily | Finnish Design Shop
We often speak of living with things for a while before they reach our shop – and this is a case in point. We steadily added glass vases to the windowsill on our landing over recent years, building up quite a collection. We’ve enjoyed looking at them each time we passed – the natural light enhancing the gorgeous olive green colourway & highlighting the different shapes… but now it’s time to let them go. Here they are pictured sitting atop a 1960s teak bookcase in our Picture House Antiques space – they look great grouped together.
They’re all produced by Finnish glass company Riihimäki in the 1960s. For the sake of accuracy, we should attribute them to Riihimäen Lasi Oy as the company was renamed in the late 1930s, but they’re still often referred to as Riihimäki vases. The company had some very notable designers such as Aimo Okkolin, Timo Sarpaneva, Helena Tynell, Nanny Still, Tamara Aladin and Erkkitapio Siiroinen.
We’ve got them priced up between £15 & £35… and of course we’ve started a new windowsill collection!!