We bought these two lovely vintage Paris side plates this week – what classic 1950s designs!
They’re quite similar, both featuring French café scenes, but were produced by different makers – namely Ridgway and Alfred Meakin.
The illustrations are gorgeous – café society, stylish ladies and gentlemen, parasols, hats… and poodles!
They display very well – catching your eye and drawing you in for a closer look – something different to notice each time. Available to buy in our webshop now.
There’s such a goldmine of vintage Scandinavian designers from which to choose, we’ve decided upon yet another this week – Raija Uosikkinen (1923-2004).
She is probably most well-known for her fruity Pomona and folk art Emilia patterns for Arabia, where she worked from 1947 to 1986. She also designed annual Christmas commemorative collectors’ plates for the company between 1978 and 1983.
The Finnish designer’s work is most easy to find on Tradera (the Scandi version of eBay), Etsy and to a lesser extent on eBay.
Bukowskis | Dishware Heaven | Flickr | Retronomi
Look at this fine fellow!
The vintage Bitossi bull was a favourite buy from last week. It was designed by Aldo Londi, the company’s artistic director for over half a century. This piece dates from the 1950s/60s era.
Bold colour, stylised shape and impressed, textural decoration are all classic hallmarks of Aldo Londi’s Rimini Blu.
As you can see, it’s factory marked to the underside – and condition is very good with no chips or cracks – just a bit of age-related crazing to the glaze. It’s a good size too, measuring just over 30cm in length, so a real eye-catching piece. A classic bit of mid century modern home décor! Available to buy in our web shop this week priced at £150.
The most well-known designs by Wolf Karnagel (b. 1940) are ones he produced for German companies, Lufthansa and Rosenthal.
In the 1980s, he designed around 120 food service items for the airline. From cutlery, cups & saucers, tea & coffee services, drinking glasses, condiment sachets and napkins to the trays it was all served upon.
Latterly, he has produced award-winning designs for KPM Berlin and Kahla. Functional and tactile, his designs are influenced by Walter Gropius and the Bauhaus movement.
His work is regularly available on Etsy and eBay.
Last week, we wrote about a vintage Bernard Rooke pottery floor lamp that we acquired recently. We also mentioned that he, at one time, shared a studio in Forest Hill and then Greenwich, London with fellow potter and Goldsmiths graduate, Alan Wallwork.
Wallwork (born 1931) is best known for his beautiful, often colourful, glazed tiles that adorn tabletops, cheeseboards, trivets etc. He also produces the most sensuous, sculptural studio pottery pieces. Often inspired by nature, these textural works resemble acorns, seed pods, eggs, slices of fruit, shells and fossils.
His art pottery pieces can often be found for sale at auction houses all around the country. The tiled items are very affordable and are always available on eBay and Etsy.
Additional imaged credits:
1stDibs | Invaluable
This fabulous floor lamp came into our lives recently.
It’s by artist, Bernard Rooke and dates from the 1960s/70s period. Bernard Rooke was born in 1938. He attended Ipswich School of Art and Goldsmiths College, London where he took up pottery. He set up a workshop in Forest Hill in London in the 1960s, sharing the space with Alan Wallwork whose work we have sold in the past. Bernard’s pieces are very sculptural and he found that producing lamp bases made his pieces even more acceptable and accessible for the public to have in their homes. They’ve remained a mainstay of his output over many years.
There are bulbs both at the top and internally, and this gives a great effect when illuminated – light diffusing through all the little holes and casting shadows on the wall behind.
We’re now on a hunt for the perfect shade. It has to be Hessian or raffia, we think – and a fair old size too – the lamp base itself stands 3½ feet tall. Let us know if you have one for sale or know where there’s one lurking. We currently have around five lamps that need shades, but this one’s probably top of the waiting list!
We’ve placed the lamp in our bedroom where it shares the space with other studio pottery from the same era. We like these little groupings of pots. They’re all in quite subdued tones of brown, beige and oatmeal so don’t shout for attention, but we love these subtle variations in colour, shape and texture.
The lamp has real impact when you walk into the room. It has the potential to work well in all kinds of settings – from boho-chic to mid century modern. In addition to working well with the other pottery in the space, we also like the way the circular form is echoed by the cane mirror. There’s a classic 1960s starburst clock on the wall close by too. It might not be everyone’s cup of tea, but we really love it. And we know a good friend of ours will be eyeing it up jealously (and we have to admit that it would look perfect in their house)!