Designer Desire: Alfred Daniels

Montage of Alfred Daniels artworks

Viewing sale lots for our Auction Alert series, I always happen across artists & designers that I’ve never come across previously.

Born in Trellis Street in Bow, and affectionately referred to as Danny, Alfred Daniels (1924-2015) is sometimes referred to as the Lowry of the East End – although he once quipped, “I’m not really an East Ender, I’m more of a Bow boy”.

With help from his uncle Charlie, he left school early and enrolled in Woolwich Polytechnic to learn sign-writing. He never completed his course, instead – again, thanks to his uncle – got a job as a lettering artist at the Lawrence Danes Studio in Chancery Lane.

When his uncle started up his own studio in Fetter Lane above the Vogue Magazine photo studio, he went to work for him, earning £1 a week. In 1947, Danny was accepted to attend the Royal College of Art. After gaining his 1st class degree there, he stayed on for a further year to study mural design.

In 1954, he completed his five impressive, award-winning murals inside Hammersmith Town Hall and also participated in their conservation in 1983.

I never wanted to be a painter, I wanted to be an illustrator of life… It isn’t enough to make a picture of something – You have to be there, you have to touch it, you have to experience it.

In 1973, he joined the Royal Watercolour Society, followed by the Royal Society of British Artists a decade later. He was also elected keeper of The Royal Society in 1991.

In addition to his many paintings, he illustrated calendars for Oxford University Press and posters for the General Post Office. He often exhibited at the Russell Gallery in Putney. His work is in the permanent collections of The Science Museum, Manchester Art Gallery, Bradford Museums and Galleries and Nottingham City Museums & Galleries.

For a number of years, he taught at Sir John Cass School of Art – nicknamed the ‘Aldgate Bauhaus’ and now the School of Art, Architecture and Design at London Metropolitan University. As well as teaching, he was the author of a number of books about drawing and painting.

The Gentle Author of Spitalfields Life interviewed and wrote about Alfred Daniels on many occasions. Included in the posts are lots of photos of his sketchbooks and studio in his family home in Bedford Park, Chiswick. You can find out more here.

Making a painting is like baking a cake, one slice is for you but the rest is for everyone else.

Portrait of Alfred Danielscredit

Additional image credits:
Mutual Art

Auction Alert: Ancient Art & Antiquities

EASTERN ROMAN DOUBLE HEADED BRONZE CHALICE, CIRCA 3RD-4TH CENTURY A.D.

Here at H is for Home, we’re probably best known for selling and writing about mid century modern items. However, we also love antiques and ancient art & antiquities.

This week’s Auction Alert subject is selling a high quality selection of pre-historic, post-classical, Roman and other civilisation relics. There are so many good things, we found it difficult to narrow down lots to highlight here. From a bronze helmet for a baby, to a beautiful rock crystal necklace from the Roman era. From magical Islamic amulets to ancient Greek body armour – many of the items are rare and unique.

They’re all for sale at the upcoming Plakas Auctions‘ Ancient Art & Antiquities sale; 153 lots coming under the hammer on Wednesday 27th July 2022 from 1pm.

Their buyer’s premium is currently set at 25%. You can bid live or leave absentee bids on Plakas LIVE or via their app (with no extra fee on top of the premium).

You may also bid online at EasyLiveAuction – (an additional £3.00 flat fee on registration or 3% commission on the final hammer price) or Invaluable – (please check the commission rate on their website).

Plakas Post Sale Service team can arrange professional delivery and convenient shipping of your purchased items. We offer competitive rates shipping a small pendant to as large as a piece of furniture. We are well informed on all international regulations, Plakas offers a full range of services for our clients, this includes collection, packaging and arranging shipping worldwide.

PROTO ELAMITE COPPER CLOAK OR HAIR PIN, 2ND MILLENNIUM B.C.

Lot 29: PROTO ELAMITE COPPER CLOAK OR HAIR PIN, 2ND MILLENNIUM B.C.
With a floral pattern. Height: 18.5cm
Estimate: £300 – £500

GRECO PERSIAN PERIOD BRONZE LADLE WITH A GOAT HEAD, 400-300 B.C.

Lot 35: A GRECO PERSIAN PERIOD BRONZE LADLE WITH A GOAT HEAD, 400-300 B.C.
Height: 35cm
Estimate: £400 – £600

RARE GREEK MUSCLE BRONZE CUIRASS BODY ARMOR PROBABLY 5TH/4TH CENTURY B.C.

Lot 40: A RARE GREEK MUSCLE BRONZE CUIRASS BODY ARMOR PROBABLY 5TH/4TH CENTURY B.C.
Height: 50cm
Estimate: £10,000 – £15,000

EASTERN ROMAN DOUBLE HEADED BRONZE CHALICE, CIRCA 3RD-4TH CENTURY A.D.

Lot 47: AN EASTERN ROMAN DOUBLE HEADED BRONZE CHALICE, CIRCA 3RD-4TH CENTURY A.D.
Height: 13.5cm. Diameter: 7.8cm
Estimate: £7,000 – £9,000

VERY RARE ACADEMIC ELAMITE BRONZE BABY HELMET, CIRCA 3RD MILLENNIUM B.C.

Lot 48: A VERY RARE ACADEMIC ELAMITE BRONZE BABY HELMET, CIRCA 3RD MILLENNIUM B.C.
Diameter: 14.5. Height: 9cm
Estimate: £1,500 – £2,000

PAIR OF ANCIENT GOLD EARRINGS, WESTERN GREECE 1ST MILLENNIUM B.C.

Lot 56: A PAIR OF ANCIENT GOLD EARRINGS, WESTERN GREECE 1ST MILLENNIUM B.C.
Diameter of each earring: 4.5cm
Estimate: £600 – £800

ANATOLIAN MARBLE FEMALE IDOL KILIA TYPE, CIRCA 4500-3500 B.C.

Lot 59: AN ANATOLIAN MARBLE FEMALE IDOL KILIA TYPE, CIRCA 4500-3500 B.C.
Height: 11cm
Estimate: £20,000 – £30,000

MONUMENTAL GHANDARA STANDING BUDDHA SCHIST FIGURE WITH HALO, CIRCA 3RD-4TH CENTURY

Lot 64: A MONUMENTAL GHANDARA STANDING BUDDHA SCHIST FIGURE WITH HALO, CIRCA 3RD-4TH CENTURY
Height: 89cm
Width: 27.5cm
Estimate: £7,000 – £9,000

TWO SILVER MAGICAL ISLAMIC AMULETS

Lot 69: TWO SILVER MAGICAL ISLAMIC AMULETS
Amulet 1 width: 2.5cm. Amulet 2 width: 3cm
Estimate: £150 – £250

THREE QAJAR INLAID COMBS, 19TH CENTURY

Lot 71: THREE QAJAR INLAID COMBS, 19TH CENTURY
Largest: length: 13.5cm, width: 11.5cm
Estimate: £600 – £800

GOLD PENDANT WITH A DEPICTION OF CHRIST WITH A LATIN INSCRIPTION "ICXC" BYZANTINE PERIOD

Lot 79: A GOLD PENDANT WITH A DEPICTION OF CHRIST WITH A LATIN INSCRIPTION “ICXC” BYZANTINE PERIOD
Inscribed in latin “JESUS CHRIST”. Reverse is the standing figure of two angels inscribed. Byzantine period, a relic from a cross. Weight: 25grams. 4.5cm x 3.5cm
Estimate: £4,000 – £6,000

AMETHYST SEATED GOAT AMULET IN THE STYLE OF PTOLEMAIC PERIOD

Lot 90: AN AMETHYST SEATED GOAT AMULET IN THE STYLE OF PTOLEMAIC PERIOD
Height: 2cm. Length: 3cm
Estimate: £300 – £500

EGYPTIAN WHITE GLAZED HIPPOPOTAMUS, NEW KINGDOM PERIOD 1400B.C.

Lot 92: AN EGYPTIAN WHITE GLAZED HIPPOPOTAMUS, NEW KINGDOM PERIOD 1400 B.C.
Length: 8cm. Height: 5cm
Estimate: £2,000 – £3,000

SET OF SOFT STONE MEDIEVAL GAMING PIECES, CIRCA 10TH-12TH CENTURY

Lot 99: A SET OF SOFT STONE MEDIEVAL GAMING PIECES, CIRCA 10TH-12TH CENTURY
16 pieces in total. Height approx of each: 4cm
Estimate: £400 – £600

CUT ROCK CRYSTAL NECKLACE ROMAN OR PARTHIAN PERIOD

Lot 136: A CUT ROCK CRYSTAL NECKLACE ROMAN OR PARTHIAN PERIOD
Inner diameter: 23cm
Estimate: £500 – £700

LARGE CHINESE CHERRY AMBER FOO DOG FIGURE

Lot 144: A LARGE CHINESE CHERRY AMBER FOO DOG FIGURE
Weight: 65g
Estimate: £120 – £160

Designer Desire: Mark Rickard

Large mural painting of tug-of-war by Mark Rickard

Each Sunday, local antique dealer, Alistair Dryburgh of West Wales Antiques runs a (nearly always) weekly fair over on his Instagram feed. A couple of weeks ago, he had up for sale a trio of HUGE paintings by Mark Rickard.

Large mural painting of sheep, cows and farmers by Mark Rickard

They’d originally been commissioned in 1976 for a local club in Aberystwyth and represent Welsh rural life.

Large mural painting of rural life by Mark Rickard

I instantly fell in love and proceeded to Google him to see if I could find any other artworks that he’d done. Unfortunately, I couldn’t find a single artwork or any information about the artist himself… absolutely nothing at all!

Detail of large mural painting of tug-of-war by Mark Rickard

His style reminds me of Joseph Herman and Stanley Spencer, especially the latter’s Clyde shipbuilding series.

Detail of large mural painting of tug-of-war by Mark Rickard

I’ve messaged Alistair in the past few minutes and he’s said that the top two paintings – the tug-of-war and the sheep and cows – are still available, if you’re interested.

Detail of large mural painting of sheep, cows and farmers by Mark Rickard

Tragically, we don’t have a wall big enough in our old cottage to hang one – not to mention multiple – paintings of this size… otherwise I’d have to own them.

Detail of Mark Rickard signature on a painting

If anyone out there can shed any light on Mark Rickard we’d love to learn more about him. An artist this talented must have produced more masterpieces… and hopefully smaller examples that could fit on our walls!

Designer Desire: Richard Shimell

Montage of Richard Shimell artworks

Portrait of Richard Shimellcredit

This week, I saw a tree linocut print created by Richard Shimell which I loved so much I went in search of more of his work.

We have an absolutely huge sycamore tree in our front garden that we take pleasure in observing on an almost daily basis. We see the way it ebbs and flows with the seasons – its bare-branched silhouette in the winter; the array of birds and insects that use it for food, nesting and shelter in the spring; the auburn leaves and whirligigs carpeting the ground beneath in the autumn. His studies remind me of this reassuring, annual cycle; the trees are the stars of the show!

Here he is giving a little insight into his practice:

I started printmaking late in life. After a career in journalism, I joined the Dartington Print Workshop as a complete beginner in 2010. It was a steep learning curve, but I stuck at it and eventually started selling my prints. I became a member of the Devon Guild of Craftsmen in 2016.
I live in a wooded landscape on the edge of Dartmoor, so am lucky enough to be surrounded by trees. I have a small studio at home with my own Hawthorn press.
I’m drawn to the simplicity of silhouettes and the complexity of branches. I enjoy all stages of the making process, from drawing to carving to printing.
I also make books, using my prints on the covers and enjoy experimenting with other forms of printmaking, including drypoint, collagraph and etching on lino.

You can purchase his works on his own website and select galleries in Devon, Cornwall, North Yorkshire, Norfolk, The Lake District and others.