Designer Desire: Maurice Wade

Montage of Maurice Wade paintings

Maurice A. Wade (1917-1991) was a British painter who specialised in documenting the industrial landscapes of the Stoke-on-Trent area.

Maurice Wade worked in using a monochromatic or very limited palette in a manner reminiscent of Trevor Grimshaw or Jack Simcock. He had a very Northern Industrial sensibility, although he and his subject matter are from the Potteries. Even though

Wolstanton-born Wade studied at Burslem School of Art. After moving away for many years – initially serving in the army during WWII – Wade returned to the Potteries in 1951, to teach art at a local primary school. He made his home in Longport, an area that he would use as the subject of many of his landscape paintings, of which there’s believed to be around 300 to 340 in total.

During his career he exhibited at Société des Artistes Français (where he was a gold medallist and exhibitor hors concours), the Royal Academy, the Royal Society of British Artists, the Royal Institute of Oil Painters and the Industrial Painters Group.

On a simple level, these paintings of kilns, mills and huddled houses, often reflected in the tranquil canal waters, were recording the future past, but like Hammershoi’s grey Copenhagen facades and Hopper’s Cape Cod cottages, they tell us something about our own lives and of our own place in the world. credit

Wade’s work is collected by OMD lead singer and bass guitarist, Andy McCluskey. The musician owns at least 21 of his paintings and held an exhibition of the works entitled Silent Landscapes which took place at Trent Art Gallery in 2022. A book to accompany the exhibition was published. Entitled Maurice Wade Silent Landscapes The Andy McCluskey Collection (Orchestral Manoeuvres in the Dark OMD).it is available via Trent Art or Amazon.

McCluskey has shared:

These paintings are a snapshot of a moment in time – they don’t have any people in them – and they connect me to my own background. There’s a ubiquity to these neglected, northern industrial landscapes, although they are the same but different.

Wade’s work is held in the Government Art Collection, the  V&A Wedgwood Collection (one of the most important industrial collections in the world and a unique record of over 260 years of British ceramic production), Beecroft Museum and the University of Hull.

Image credits:
ArtUK | Invaluable | Trent Art

https://www.theguardian.com/culture/2022/mar/18/andy-mccluskey-maurice-wade-artist-silent-landscapes-exhibition

Ken Law Oldham Landscape original

Original Ken Law Oldham Landscape, etched oil on gesso, circa 1969 | H is for Home

We’ve mentioned a few times previously that we love the work of artist Ken Law – and have a small collection of his 1960s prints – Hampstead High Street, Tower Bridge and New York Bridges, to date. Well, I was browsing a well-known online auction website a couple of weeks ago – and did a quick search for Ken Law to see if any of his vintage prints were currently for sale. My jaw dropped when this original oil painting appeared before my eyes – only just listed. Straight away I thought, “Oooooh, early 50th birthday present?!”.

Detail from original Ken Law 'Oldham Landscape', etched oil on gesso, circa 1969 | H is for Home

The painting depicts Oldham – a Lancashire (now Greater Manchester) mill town about 15 miles from here. Perhaps former mill town might be more accurate now; at its peak, it was the largest cotton-spinning town in the world. Justin grew up in the neighbouring town of Rochdale and often went to Oldham on Tommyfield’s flea market day – and for nights out in his youth! So this landscape is very much in his psyche – and mine too, as an honorary Northerner, residing here for nearly 20 years now.

Detail from original Ken Law 'Oldham Landscape', etched oil on gesso, circa 1969 | H is for Home

It’s a classic Northern Industrial scene – factories, terraced houses, chimneys – the Pennine moors in the distance. This picture captures it on a winter’s day, sun low in the sky, snow covering the rooftops and vehicles slipping & sliding down the hill!

Detail from original Ken Law 'Oldham Landscape', etched oil on gesso, circa 1969 | H is for Home

Ken used oil on gesso – the surface being painted, scratched and gouged. It’s full of character and texture. We’re still researching, but we think that this painting was exhibited at The Royal Academy in the late 1960s.

Detail from original Ken Law 'Oldham Landscape', etched oil on gesso, circa 1969 | H is for Home

By this point, you’ll realise that we can describe it quite accurately and have taken lots of photos – yes, it did become my 5oth birthday present – it arrived today!

Detail from original Ken Law 'Oldham Landscape', showing signature, etched oil on gesso, circa 1969 | H is for Home

I just couldn’t let the opportunity for a genuine Ken Law depicting favourite subject matter slip through my fingers. There are certainly no regrets now it’s arrived – it makes me happy just looking back at the photos in this post.

Reverse of original Ken Law 'Oldham Landscape', etched oil on gesso, circa 1969 | H is for Home

Much loved already – I’ll always remember when it came to live with us. A real birthday treat!

 Original Ken Law 'Oldham Landscape', etched oil on gesso, circa 1969 with jug of flowers | H is for Home