What to consider when hiring professional painters: A guide

What to consider when hiring professional painters: A guide

When it comes to giving our homes a rejuvenated appearance, few things can rival the power of a new coat of paint. However, achieving that flawless finish requires skills, expertise, and attention to detail, which most homeowners lack. This is where professional painters come into play. Enlisting the services of painters can save you time, ensure results and alleviate the stress associated with painting projects. This guide will delve into some factors to consider when hiring professional painters for your upcoming project.

Experience and expertise

One of the primary aspects to take into account when selecting professional house painters in North Shore, Auckland, is their level of experience and expertise. Seasoned painters bring knowledge and techniques that can significantly impact the outcome of your project. Look for professionals who have been active in the industry for years and boast a proven track record of delivering top-notch workmanship. You may also want to inquire about any specialised skills they possess, such as finishing or mural painting if your project requires expertise.

References and reviews

When evaluating painters for your project, client references and reviews hold immense value. Reach out to their customers. Explore online reviews on reputable platforms. It’s important to consider a factor to gain insights into their professionalism, reliability and the quality of their work.

Licensing and insurance

Before hiring a painter, it’s crucial to ensure that they are licensed and insured. Licensing guarantees that they meet the standards set by the authority in your area. This gives you peace of mind, knowing that you are dealing with professionals who adhere to industry practices. Additionally, insurance is equally important, as accidents can happen during painting projects. Confirm that the painter carries liability insurance so that you won’t be held responsible for any damages or injuries occurring while they work on your property.

Written estimates

Obtaining written estimates from painters is essential for making a fair comparison before coming to a decision. The estimate should clearly outline all aspects of the project, including labour costs, material expenses and an estimated timeline for completion. It’s advisable to request itemised estimates so that you understand how costs are calculated and what each component entails.

Portfolio

A painter’s portfolio serves as evidence of their work and showcases their range of skills. When considering professional painters, it’s recommended to ask for samples of their projects that are similar in scope or style to yours. This allows you to assess whether their quality and style align with your preferences. Feel free to ask any questions about techniques or finishes you see in the portfolio.

Effective communication

It’s important to have effective communication throughout a painting project. A professional painter should be responsive, attentive and able to address any concerns or questions you may have. When interacting with painters, pay attention to how they communicate. Look for professionals who listen to your ideas, offer suggestions when needed and keep you updated on the progress of the project.

Contracts

To protect both parties involved, it’s crucial to sign a contract before starting any painting project. The contract should clearly outline the scope of work agreed upon, payment terms, start and end dates, warranties on materials and workmanship and any other relevant details. Make sure you carefully review all the terms in the contract before putting pen to paper.

Considerations for budget

While cost is a factor when hiring painters, it’s equally important to consider quality. Cheaper options might seem tempting and could end up costing more in the long run if they lead to subpar results that require fixing later.

Discuss your budget with painters so that they can provide recommendations on materials or approaches that align with your constraints while ensuring optimal outcomes.

Conclusion

In conclusion, it’s crucial to hire painters when it comes to painting projects for your home or business that require a level of skill and expertise beyond what typical homeowners can achieve. By considering factors like experience, references, licensing, written estimates, portfolios, effective communication, clear contracts and finding compromises within your budget, you can find the professional painter who will provide the beautiful and long-lasting results you desire. Therefore, take the time to carefully evaluate professionals and make a decision that will give your home or business the fresh new look it truly deserves.

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Designer Desire: Wayne Thiebaud

Montage of Wayne Thiebaud artworks

If Edward Hopper ever painted cakes and ice cream, his artworks would probably look like this. Wayne Thiebaud’s work is intrinsically American; the subject matter, the style, the colour…

If you really look at a lemon meringue pie or a beautiful cake, it’s kind of a work of art

Born in Mesa, Arizona, artist Wayne Thiebaud (1920-2021) grew up mainly in Long Beach, California where he remembers that he:

…sold papers on the beach, was a lifeguard in high school. So the beach was, and is, very much a part of my memory and my actual experience.

Another one of his jobs was at Mile High and Red Hot, a café famed for its stacked ice-cream cones and hot dogs. There were also, Thiebaud remembers, “rows of pies”.

After he graduated from high school in 1938, Thiebaud took on a variety of jobs, including one as a cinema usher. He worked at the Rivoli in Long Beach, where he illustrated the occasional promotional poster. The many hours that he spent milling around the snack counter and the reception area – which was furnished with promotional stills and lobby cards, had a great effect on him. Cinema snacks such as candy, soda, ice cream and popcorn have all featured prominently in his work since then, as have masks, show girls, ticket-sellers and other theater-related subjects.

As a boy, Thiebaud dreamed of becoming a cartoonist, like his uncle, and did a brief stint at Disney as an “in-betweener”, drawing the interstitial actions of animated characters between their headline motions. Apparently, he’d trained himself to draw Popeye with both hands simultaneously, which helped him get the gig. Unfortunately, this job lasted a mere three months, he was fired for participating in union activities.

He spent the early stages of his career in commercial art and advertising, honing his drawing and learning about shadow, light and line. He served an apprenticeship as a sign painter/showcard illustrator at Sears, Roebuck and Company.

During World War II, Thiebaud served in the U.S. Army Air Force; he didn’t become a pilot, instead, he was part of the Special Services Division where his tasks included drawing comic strips for the newspaper at a military base.

After the war, he earned his bachelors and masters degrees from Sacramento State College (now California State University, Sacramento) and commenced being an art teacher. He enjoyed teaching and encouraged his students to learn from the great painters but to plow their own furrow creatively. In 1960, he was appointed to the faculty of the University of California Davis, where he taught for over 30 years.

Thiebaud experimented using different media, such as pen and ink, oils, watercolours, charcoal and pencils. Around 1964, he branched out into printmaking, collaborating on etchings and other projects with Crown Point Press in California.

Thiebaud’s career as a fine artist didn’t really take off until a watershed 1962 exhibition at the Allan Stone Gallery in Manhattan. He’d travelled to New York City from California with a bundle of his food paintings – which had received a less than enthusiastic reception from most dealers. However, Stone was intrigued and offered him a solo show.

It has never ceased to thrill and amaze me the magic of what happens when you put one bit of paint next to another.

Thiebaud’s work has been exhibited in major museums, including the Art Institute of Chicago, the San Francisco Museum of Modern Art, the Guggenheim and the Smithsonian.

As you’d expect, a number of books and catalogues have been published about him and his work – many are available from Abe Books and Amazon.

I wake up every morning and paint,” he added. “I’ll be damned but I just can’t stop.

Portrait of Wayne Thiebaudcredit

Additional image credits:
The National Gallery of Art

Designer Desire: James McIntosh Patrick

Montage of James McIntosh Patrick paintings
Born in Scotland, James McIntosh Patrick (1907-1998) was an etcher, fine art painter, printmaker and educator.

From 1924, he attended the world-renowned Glasgow School of Art during which time he won many prizes and gained a scholarship. His meticulous landscape etchings caught the attention of a London print dealer, and in 1928 he received an important commission for editions of prints. With the collapse of the print market during the Great Depression, Patrick turned to oil painting, but his attention to detail in landscape remained his trademark.

From 1928, he showed at the Royal Acadamy and from 1934 at Fine Art Society. He was elected to the Royal Society for the Encouragement of Arts, Manufactures and Commerce (the RSA) in 1957. He taught part-time at Dundee College of Art.

During WWII, Patrick served in the Camouflage Corps. Post-war was when he became famous for his intricate, realistic landscapes – especially of the area around his home town of Dundee.

Key solo exhibitions were held in 1967 at Dundee City Art Gallery and at Dundee, Aberdeen and Liverpool in 1987. A decade later, a 90th birthday celebration was held at the Scottish National Gallery of Modern Art in Edinburgh.

Patrick’s work is held in the collections of Dundee Art Galleries, Fleming Collection, Walker Art Gallery and Manchester Art Gallery amongst others.

As well as fine art landscape and portrait paintings in oils and watercolour, Patrick designed a number of publicity posters for British Railways of numerous Scottish tourist destinations including Crieff, Dunnottar Castle, Edinburgh, Loch Leven, Oban and St Andrews.

Easel in the Field: the Life of Mcintosh Patrick is available at Abe Books and Amazon. As well as the book, an auction sale catalogue was published in 1998 – Christie’s: The James McIntosh Patrick Collection – it accompanied a sale of personal effects furniture and artworks (his own and those of other artists) from his own collection.

Portrait of Montage of James McIntosh Patrick paintingscredit

Additional image credits:
Art UK | Christies

Designer Desire: Maurice Wade

Montage of Maurice Wade paintings

Maurice A. Wade (1917-1991) was a British painter who specialised in documenting the industrial landscapes of the Stoke-on-Trent area.

Maurice Wade worked in using a monochromatic or very limited palette in a manner reminiscent of Trevor Grimshaw or Jack Simcock. He had a very Northern Industrial sensibility, although he and his subject matter are from the Potteries. Even though

Wolstanton-born Wade studied at Burslem School of Art. After moving away for many years – initially serving in the army during WWII – Wade returned to the Potteries in 1951, to teach art at a local primary school. He made his home in Longport, an area that he would use as the subject of many of his landscape paintings, of which there’s believed to be around 300 to 340 in total.

During his career he exhibited at Société des Artistes Français (where he was a gold medallist and exhibitor hors concours), the Royal Academy, the Royal Society of British Artists, the Royal Institute of Oil Painters and the Industrial Painters Group.

On a simple level, these paintings of kilns, mills and huddled houses, often reflected in the tranquil canal waters, were recording the future past, but like Hammershoi’s grey Copenhagen facades and Hopper’s Cape Cod cottages, they tell us something about our own lives and of our own place in the world. credit

Wade’s work is collected by OMD lead singer and bass guitarist, Andy McCluskey. The musician owns at least 21 of his paintings and held an exhibition of the works entitled Silent Landscapes which took place at Trent Art Gallery in 2022. A book to accompany the exhibition was published. Entitled Maurice Wade Silent Landscapes The Andy McCluskey Collection (Orchestral Manoeuvres in the Dark OMD).it is available via Trent Art or Amazon.

McCluskey has shared:

These paintings are a snapshot of a moment in time – they don’t have any people in them – and they connect me to my own background. There’s a ubiquity to these neglected, northern industrial landscapes, although they are the same but different.

Wade’s work is held in the Government Art Collection, the  V&A Wedgwood Collection (one of the most important industrial collections in the world and a unique record of over 260 years of British ceramic production), Beecroft Museum and the University of Hull.

Image credits:
ArtUK | Invaluable | Trent Art

https://www.theguardian.com/culture/2022/mar/18/andy-mccluskey-maurice-wade-artist-silent-landscapes-exhibition