Bookmarks: Our Isles

Cover of Our Isles by Angus D. Birditt & Lilly Hedley

One of life’s simple pleasures is taking a bit of quiet time with a cup of coffee, a few biscuits and a good book… and we’ve been enjoying this wonderful little tome over the last few days.

A few weeks ago, we featured printmaker, Lilly Hedley in our Designer Desire series. While researching her and her work, we discovered that she and her partner, Angus D. Birditt, recently collaborated on, amongst many other things, a book. Our Isles is a lovely project which interweaves Angus’ poetry with Lilly’s illustrations.

'At Home' poem & illustration

The heart of home is where they flee
Amongst their thoughts to unwind and see,
At one with self, content to be
In space to find and wander free.

'The Butcher' poem & illustration 'The Baker' poem & illustration

Having both spent their entire lives in the countryside, the pair direct their attentions towards many of Britain’s rural occupations, pastimes and craftspeople.

'The Brewer' poem & illustration 'The Blacksmith' poem & illustration

There’s the butcher, the baker… alas, no candlestick-maker! I think ‘The Printmaker’ may be an autobiographical addition!

'The Printmaker' poem & illustration

Our Isles is divided into sections according to types of occupations; for instance, ‘With Tool in Hand’ encompasses tradespeople such as the potter, the thatcher and the farrier.

'With Tool to Hand' section in 'Our Isles' book

‘Amid Tides & Water’ includes professions such sailor, fisherman and salt harvester.

'Amid Tides & Water' section in 'Our Isles' book

All of Angus’ poems take the form of double couplet AABB rhyming quatrains. They’re absolutely charming – and very accessible to those not overly accustomed to reading poetry. They perfectly capture the traditions, inspirations, routines and skills of the people intrinsic to countryside life.

Hen-keeping linocut and poem

Lilly’s monochrome linocut prints are absolutely beautiful. Some have a very contemporary look, others, an almost medieval feel.

Linocut of a falcon

At the rear of the book is a short glossary; it explains terms particular to the different trades. For instance, a ‘yealm’ is a bundle of organised straw in the thatching industry. And, ‘Goddes Good’ or ‘God is Good’, is an archaic term for yeast that is added during the brewing process.

Glossasry from Our Isles

[ Many thanks to Pavilion Books for the review copy of Our Isles ]

Rain

'Rain' blog post banner

detail of Simon Armitage's 'Rain' poem carved into rock at Cow's Mouth Quarry, near Blackstone Edge on the West Yorkshire/Greater Manchester border | H is for Home

We had a lovely long walk last weekend, taking in Blackstone Edge which sits right on the border of West Yorkshire & Greater Manchester (Lancashire really!!).

Cow's Mouth Quarry, near Blackstone Edge on the West Yorkshire/Greater Manchester border

As we walked along one of the bridleway tracks this striking outcrop of gritstone rock came into view.

Simon Armitage's 'Rain' poem carved into rock at Cow's Mouth Quarry, near Blackstone Edge on the West Yorkshire/Greater Manchester border

Lovely in its own right, but it had a little extra secret to unveil as we got closer.

Simon Armitage's 'Rain' poem carved into rock at Cow's Mouth Quarry, near Blackstone Edge on the West Yorkshire/Greater Manchester border

Expertly chiselled into its surface was a poem entitled RAIN.

Simon Armitage's 'Rain' poem carved into rock at Cow's Mouth Quarry, near Blackstone Edge on the West Yorkshire/Greater Manchester border

We suspected it might have been written by Simon Armitage when we saw the SA, but weren’t sure. Having since done a bit of research, we now know that it’s one in a series of elemental works by him entitled The Stanza Stones dotted around the Pennines. They were commissioned by Ilkley Literature Festival. Other titles include Snow, Mist, Dew, Puddle and Beck.

Simon Armitage's initials from his 'Rain' poem carved into rock at Cow's Mouth Quarry, near Blackstone Edge on the West Yorkshire/Greater Manchester border

Ironically, it was a glorious sunny day but the Pennines are certainly no strangers to the watery stuff. It’s a fundamental force in shaping this landscape.

 detail of Simon Armitage's 'Rain' poem carved into rock at Cow's Mouth Quarry, near Blackstone Edge on the West Yorkshire/Greater Manchester border

It’s a beautiful poem and we found it very life affirming – and strangely wished that we were standing in the rain reading it – the rock’s surface glistening and droplets running down our faces. Justin read it out loud and we recorded it on a mobile phone – so we’d be sure to have the words when we got home. We needn’t have worried as there’s a lovely book available called The Stanza Stones published by Enitharmon. Justin is a bit embarrassed, but his open air reading has been embedded at the bottom of this post – his Northern accent suits it! 🙂 All that’s missing is the pitter-patter of rain in the background.

 detail of Simon Armitage's 'Rain' poem carved into rock at Cow's Mouth Quarry, near Blackstone Edge on the West Yorkshire/Greater Manchester border

We’re now very keen to read the book and visit the other works in this series.

RAIN

Be glad of these freshwater tears,
Each pearled droplet some salty old sea-bullet
Air-lifted out of the waves, then laundered and sieved, recast as a soft bead and returned.
And no matter how much it strafes or sheets, it is no mean feat to catch one raindrop clean in the mouth,
To take one drop on the tongue, tasting cloud pollen, grain of the heavens, raw sky.
Let it teem, up here where the front of the mind distils the brunt of the world.

© Simon Armitage 2010

Click the little triangle on the left to hear Justin reading the poem

Stanza Stones is available from Amazon.

If you fancy giving the walk(s) a go you can download the Stanza StoneS Poetry trail GUiDeMarsden to IlkleyShort family walks and 47 mile trail guide from the Ilkley Literature Festival website.

Y is for… Yellow

Yellow – like orange – is another one of our favourite accent colours…

…a more gentle effect than the high impact of fiery orange, but perfect in some situations.

It has connotations of sunshine, freshness and spring. It was much used in 1950s design as countries emerged from the austere war years.

The mosaic at the top is made up of objects available from the H is for Home website.

Here’s a lovely little poem we came across recently… very fitting for today’s blog!

An omnibus across the bridge
Crawls like a yellow butterfly
And, here and there, a passer-by
Shows like a little restless midge.

Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.

The yellow leaves begin to fade
And flutter from the Temple elms,

And at my feet the pale green Thames
Lies like a rod of rippled jade.

Symphony In Yellow, Oscar Wilde