Designer Desire: Adriaen Coorte

Montage of Adriaen Coorte still life paintings

A while ago, I mentioned on the blog that I want a still life painting of food in ‘the classical manner’ for our dining room wall. When I came across the work of Adriaen Coorte (c. 1665-1707/10), I knew he would be a contender.

Coorte returns to subjects such as white asparagus, summer fruits and seashells again and again. The compositions are usually against a nearly black background and sit on a thick, rustic wooden table.

Not a great deal is known about Coorte; his name fell into oblivion and his artworks were only rediscovered in the early 20th century thanks to Dutch art historian, Laurens J. Bol. He worked in Middelburg, in the south-western Netherlands, where he’s recorded as having been a member of the Guild of St Luke. Many of his works are painted on paper which is pasted onto panel, an unusual method during the 17th century.

To date, Coorte’s known output consists of only around 64 paintings. Most are in private hands; however, his work can be found in the collections of The National Gallery in London, The National Gallery of Art in Washington, Ashmolean Museum in Oxford, Fitzwilliam Museum in Cambridge, Rijks Museum in Amsterdam and the Hermitage in Saint Petersburg, Russia.

A few books have been written about his work and are available on AbeBooks.

Additional image credits:
Sotheby’s

Designer Desire: Julian Merrow-Smith

Montage of oil paintings by Julian Merrow-Smith

Julian Merrow-Smith is a British fine artist based in Provençal France. He paints landscapes and portraits however, it’s his still life works that we love the most.

These compositions often contain fruit & veg, bread, onions, garlic, kitchenalia, tumblers of whisky and bottles of wine and olive oil. I love his technique and confident style; his paintings are full of life and the way he captures light, shadow and reflection is just magical.

He was commissioned by Cunard to paint 8 paintings for the Queen Mary II ocean liner and was twice selected for the National Portrait Gallery BP Portrait Award (2017 [the self-portrait below] & 1999). His work has been bought by collectors from all around the world.

In 2005, Julian Merrow-Smith began his Postcard from Provence project whereby, each day, he creates a small painting which he then auctions off, on his own website, to registered users. Each work is usually around the  To date (21st May 2021) he has produced 3,244 oil on board works as part of the scheme.

I’ve now registered, in the hope that one day I’ll be the winning bidder of one of his beautiful still lifes.

Self-portrait oil painting by Julian Merrow-SmithAll image credits: Julian Merrow-Smith©

Get their look: Monochrome vignette

 

 
 
 
 
 
View this post on Instagram
 
 
 
 
 
 
 
 
 
 
 

 

A post shared by Dipali Chokshi (@dentist_that_decorates)

We don’t have a room for this week’s Get their look; rather, it’s a beautiful monochrome vignette.

The composition is very striking visually, and something that you can create yourself with a little thought and planning. If decorating an entire room feels too challenging or budget-busting, a vignette or 3-dimensional still life like this one can be a simple and affordable alternative.

Begin by devising a simple mood board; play around with palette, texture etc. Decide on the theme or style that you want to create.

Enclosing this monochrome vignette within shelving frames the arrangement and helps draw attention to it. A transparent glass dome or box would be another excellent choice. You could fill it with found objects from your travels such as shells & pebbles from a beach. Perhaps meaningful items of pottery, glass or metalware could be attractively arranged.

Get their look

Some of the links on our blog are affiliate links. We may receive a small commission - at no cost to you - if you click through and make a purchase.
Prices & links correct at time of publication.

Gold coloured plant pot
Gold coloured plant pot
Capricorn table décor
Capricorn table décor
Broste Copenhagen Splash candleholder
Broste Copenhagen Splash candleholder
Alison Coaten ceramic & gold lustre Cranium & Mandible skulls
Alison Coaten ceramic & gold lustre Cranium & Mandible skulls
Black metal hanging shelves
Black metal hanging shelves
Gold coloured plant pot
Gold coloured plant pot
Capricorn table décor
Capricorn table décor
Broste Copenhagen Splash candleholder
Broste Copenhagen Splash candleholder
Alison Coaten ceramic & gold lustre Cranium & Mandible skulls
Alison Coaten ceramic & gold lustre Cranium & Mandible skulls
Black metal hanging shelves
Black metal hanging shelves
Gold coloured plant pot
Gold coloured plant pot
Capricorn table décor
Capricorn table décor
Broste Copenhagen Splash candleholder
Broste Copenhagen Splash candleholder
Alison Coaten ceramic & gold lustre Cranium & Mandible skulls
Alison Coaten ceramic & gold lustre Cranium & Mandible skulls
Black metal hanging shelves
Black metal hanging shelves

Designer Desire: William Scott

Montage of artworks by William Scott | H is for Home

Since relocating to rural Wales, we feel as though many of the paintings we have by Northern Industrial artists just don’t suit the interior or new locale. I was doing some research online for artists whose work I felt would be more in keeping, when I discovered William Scott (1913-1989).

I love Scott’s style, composition (the repeated use of still life objects such as pears, fish and pots & pans) and palette. His pared back approach really works in simple, rustic, minimalist surroundings.

Scott was born in Greenock, Scotland and moved with his family, at the age of 11, to his father’s home-town of Enniskillen, Northern Ireland. He attended Belfast College of Art where he won a scholarship to the Royal Academy Schools.

This is what he says of his work:

I am an abstract artist in the sense that I abstract. I cannot be called non-figurative while I am still interested in the modern magic of space, primitive sex forms, the sensual and the erotic, disconcerting contours, the things of life.

Some of his later pieces really remind me of the work of Mark Rothko (see the two portrait shaped ones above). Coincidentally, here’s William Scott with the latter (Rothko stayed with the Scott family in England in 1959) in a short film produced by the Tate to accompany their Scott centenary exhibition in 2013.

As well as the Tate, his work is in the collections of the Ulster Museum, Fitzwilliam Museum, National Galleries of Scotland, The British Council Collection and Kettle’s Yard.

I’m not surprised that Kettle’s Yard has examples of his work; it’s very reminiscent (to me, anyway) of that of Ben Nicholson – another artist in the Kettle’s Yard collection.

His work often comes up for sale; from original oils for hundreds of thousands of pounds to limited-edition prints available for the tens of thousands. We may have to settle for a collection of postcards from a museum shop!

Image credits:

Artnet | ArtUK | Bonhams