Designer Desire: Patrick Tilley

Montage of Patrick Tilley designs for The Sunday Timescredit

OK, so we’re a little late to the Patrick Tilley appreciation party. Our friend, 365posterblog, mentioned him in a recent article about Artist Partners so we investigated him further. That’s when we discovered that our other friend, Vintage Poster Blog, had talked about him way back in 2010. Oh well, better late than never!

In the early 1960s, Patrick Tilley (b. 1928) was commissioned to produce a poster for the Sunday Times. According to Tilley:

BBDO – the agency – commissioned me to design one poster using the line, “You are more interesting to know when you read the Sunday Times”.
I thought this was a bit of a mouthful so came up with the idea of illustrating a desirable quality possessed by the newspaper and its readers and offered six roughs which were all commissioned.
They were reduced to their simplest form and made with cut out paper. BBDO won a prize. My name was removed from the printed versions. But they made quite an impact at the time.

It’s surprising to find out that many of these poster designs for The Sunday Times weren’t even used! In 2017, the Hoxton Hotel in Holborn mounted a short exhibition of these posters.

Unfortunately, you won’t find many other designs by Patrick Tilley if you search the internet. I’ve found one he designed for Shell, one for the GPO, another for the Milk Marketing Board and a couple for McDougall’s Flour.

He began writing part-time in 1959, and in 1968 he gave up design altogether in favour of a new career as a film scriptwriter. He worked on several major British-based productions, as well as writing assignments in New York and Hollywood. His books have been translated into several languages, and have achieved cult-novel status.

Tilley is now probably most well known for his best-selling futuristic epic, The Amtrak Wars. The film rights for the series have been optioned and are currently in development.

Patrick Tilley with some of his poster designs for The Sunday Timescredit

Designer Desire: Pavel Pánek

Various art glass designs by Pavel Pánek

Either for his birthday or Christmas a few years ago, I bought Justin a vintage glass ram as a present; he’s an Aries, you see. For some reason, I’ve always thought that the ram (the left-hand one of the three animals in the top image of the montage… and the amber-coloured one beneath it) was produced by the Kosta Boda factory; it was, in fact, designed by Pavel Pánek.

Pánek (1945-2008) was born on December 2nd 1945 in Znojmo. In 1961, he graduated from the Glass School of Applied Arts in Železný Brod. For two years he worked as a drawing teacher at the apprentice school in Bohemia in Světlá nad Sázavou. In 1969, he became the designer of Sklo Union Teplice, later head of the art centre. After 1989, Pánek moved to the Rudolfov Dubí factory, then to AVIRUNION, where he worked until spring 1995.

I absolutely love his knobbly 5135 vases designed for Rosice Glassworks in 1972. I’d like an example in each colour, if you please! If you are as taken by his designs as I am, there are examples available on eBay and Etsy.

Czech glass (otherwise known as Bohemian glass) is so affordable in comparison to much of its Scandinavian relations. To me, many of the designs are just as attractive and skilful. I think Antiques Roadshow expert, Mark Hill, is in agreement. He has published a couple of books on the subject; SkLO: Czech Glass Design from the 1950s-70s and Hi Sklo Lo Sklo: 1950s-70s Czech Glass Design from Masterpiece to Mass-produced.

Portrait of Pavel Pánekcredit

Additional image credits:

Pinterest | Sklo Union Glass

Designer Desire: Juliet Glynn-Smith

Various designs by Juliet Glynn-Smith | H is for Home

We first featured Juliet Glynn-Smith (b. 1939) on our blog when we acquired a sheet of kitchen cards that she designed for Habitat. As well as being responsible for the illustrations in the shop’s very first catalogue she produced a number of textile designs for Conran Fabrics. These include ‘Prince of Quince’ (1965); the children’s designs, ‘Jackanapes’ and ‘Toy Cupboard’; ‘Lollipop’ (1966); ‘Petals in the Sky’ and ‘Daisy Spray’ from their Firecracker Collection (1969).

Although she’s best known for her Habitat work, she has also created designs for other firms. One such company is Hunkydory Designs Ltd. Three of the brand’s wrapping papers are included in the montage above; ‘Big Heart’, ‘Big Flower’ and ‘Big Stripe’, all from 1970. Also above are her ‘Fauna’ greetings cards and ‘Santa’ Christmas cards which she designed for the company the same year.

She worked for Parkertex – for whom she created the ‘Fanfare’ fabric design in 1968 – and for German company, Rasch doing designs for their ‘Contempora’ and ‘Künstler’ textile collections in 1973.

For Christmas 1967, Glynn-Smith designed a psychedelic screen print poster which advertised Thursday late night shopping at D.H Evans, an Oxford Street department store (now a branch of House of Fraser).

‘Zig zig’ and ‘Polygon’ (pictured side-by-side above) were two wrapping paper designs made under the name of Glynn Smith Associates in 1972.

As well a textiles and paper, Juliet Glynn-Smith also produced designs that were used on metalware. The square Britannia serving tray, included above, was for Reginald Corfield Ltd. in 1966. We’ve come across a pair of ‘Sprig’ storage tins for previously mentioned, Hunkydory Designs Ltd.

Image credits:

Pinterest | Shelf Appeal | V&A | Visual Arts Data Service

Designer Desire: Barbro Nilsson

Mosaic of Barbro Nilsson rugs | H is for Home

We’ve featured quite a few Scandinavian designers in this series however, we think Barbro Nilsson is the first textile designer.

Barbro Nilsson (1899-1983) was a Swedish designer who specialised in weaving floor rugs, wall hangings and carpets. Her pieces are hugely commercial and sought after; some selling for over $100,000 at auction and over double that at retail outlets!

The Swedish Rug Blog has a very in-depth article about Nilsson and many of her works – go check it out!

Portrait of Barbro Nilssoncredit

Additional image credits:

Bukowskis | FJ Hakimian