Designer Desire: Robert Jefferson

Montage of Portrait of Robert Jefferson pottery designs

Graduating in 1954, Robert Jefferson attended the Royal College of Art in London and became a ceramics lecturer at Stoke-on-Trent College of Art.

In 1958, Jefferson joined pottery manufacturers Carter & Company as a designer rather than a ‘thrower’. He was instrumental in the creation of the more artistic ‘Studio’ side of things.

The following year, he created the Pebble range of dinner service. The pattern was machine stamped in both a black and grey colourway (both shown in the montage above).

Portrait of Robert Jefferson
credit

In 1961/62, he designed the Lucullus ovenware range. It included pieces decorated with motifs of eggs, vegetables, mushrooms, a cockerel and seafood on a background the teal colour of the Blue Moon series. His similar Herb Garden range was printed on to a lemon yellow glazed background.

At around the same time, he designed a range of decorative wall plaques in the shape of birds, fish and, strangely, daggers (all shown in the montage above). These all remain highly sought after to this day.

In 1963, Carter & Company rebranded and became Poole Pottery.

In 1964, he designed the Helios lamp bases. They were produced in many colourways including blue, brown, olive, wine and cream. In the same year, he also designed the hand-painted Bokhara tableware series, which included many shapes of lidded preserve pot.

He created the Compact range in 1965 which consisted of stackable, ribbed tea and coffee service pieces. The Compact shape was glazed in Azure (blue), Broadstone (speckled cream with dark brown edging), Chestnut (reddish brown), Choisya (olive green), Lakestone (speckled with light brown edging) and Parkstone (speckled grey with dark brown edging).

Towards the end of 1965, Jefferson left Poole Pottery. The book, Robert Jefferson: The Quiet Virtuoso is available from Abe Books and Amazon. Vintage examples of his work are always available for sale on eBay and Etsy.

Designer Desire: Tias Eckhoff

Montage of Tias Eckhoff designs

Tias Eckhoff (1926-2016) was a Norwegian industrial designer. Probably chiefly known for his cutlery, he also created furniture, crockery, cookware, glassware and door furniture.

He attended the Norwegian State College of Applied Arts and Crafts where he graduated with a degree in ceramic arts in 1949. Early in his career, he designed for Porsgrund for whom he produced the successful Det riflede ceramic range in 1949.

His cutlery designs include Una, Norstaal, Tiki and Maya for Stelton (previously Norsk Stålpress), Opus for Lundtofte and Cypress for Georg Jensen.

His work is in the permanent collections of institutions such as the V&A in London and Denver Art Museum.

Find examples of his designs for sale on Etsy and Pamono.

Portrait of Tias Eckhoff
credit

Additional image credits:
Bukowskis |

Designer Desire: Andre Amstutz

Montage of Andre Amstutz designs

Andre Amstutz (b. 1925) was born in Brighton and trained at the city’s School of Art (which eventually became my alma mater, the University of Brighton) during the early part of the 2nd World War. On graduating, he became an animator, graphic designer and illustrator.

He designed advertising posters for the likes of British Railways, British Travel Authority, GPO, Shell and BEA. In addition, he illustrated over 60 children’s books for authors such as Allan Ahlberg, Richard and Nicky Hales, Naomi Thornton and Rose Impey.

Portrait of Andre Amstutzcredit

Additional image credits:

Science Museum Group | Vintage Poster Blog

Designer Desire: Jacob Jensen

Various product designs by Jacob Jensen

Jacob Jensen (1926-2015) was a Danish industrial designer (the first in the country to have graduated in the subject).

He had a long-term relationship designing audio equipment for Bang & Olufsen for over a quarter of a century. Included in his output of almost 250 different designs is the record player Beogram 4000, portable radio Beolit 400, sound systems BeoMaster 500 and BeoMaster 1900 and the company’s first headphones, the U70.

He designed a range of products for other companies; from furniture to watches, telephones to kettles. He even created the popular Margrethe melamine bowls for Rosti (named after Queen Margrethe of Denmark). Our favourites though, are his little wooden figures – Vikings, Eskimos and… aliens! They can retail for hundreds of pounds!

In my view, constructing a fountain pen, writing a poem, producing a play or designing a locomotive, all demand the same components, the same ingredients: perspective, creativity, new ideas, understanding and first and foremost, the ability to rework, almost infinitely, over and over. That ‘over and over’ is for me the cruellest torture.
The only way I can work is to make 30-40 models before I find the right one. The question is, when do you find the right one? My method is, when I have reached a point where I think, ‘O.K., that’s it, there it is’, I put the model on a table in the living room, illuminate it, and otherwise spend the evening as usual, and go to bed. The next morning I go in and look at it, knowing with 100 percent certainty that I have 6-7 seconds to see and decide whether it’s right or wrong. If I look at it longer, I automatically compensate. ‘Oh, it’s not too high,’ and, ‘It’s not so bad.’ There are only those 6-7 seconds; then I make some notes as to what’s wrong. Finished. After breakfast, I make the changes. That’s the only way I know. Jacob Jensen

Portrait of Jacob Jensencredit

Additional image credits:

Artnet | MOMA | Pamona