Tibor Reich for Concorde

Vintage Tibor Reich fabric cushions | H is for Home

We’ve long been fans of the designs of Tibor Reich and were lucky enough to catch a retrospective of his work at the Whitworth Art Gallery in Manchester last year.

Pair of cushions made from vintage Tibor Reich fabrics | H is for Home

A few weeks ago, we bought some cushion covers from a well-known online auction site. It was the original fabric used to make them that caught our eye. The seller photographed the covers alongside a cut-out from a magazine article that showed that the fabric was designed by Tibor Reich and had been used on Concorde.

We couldn’t find any images of the actual interior of Concorde showing this pattern. However we did find this reference:

One of the commercial highlights for Tibor Ltd. in the 1960s was a commission to design the first sets of upholstery and curtain fabrics for the Anglo-French Concorde (prior to trial flights in 1968) [Cabinet Maker and Retail Furnisher, October, 1966]. Five Jacquard upholstery cloths, in natural and gold were used as curtaining fabric along with two carpet designs [Cabinet Maker and Furnisher, October, 1965].
via “Patterns of Culture: Tibor Reich: A Life of Colour and Weave“, by K. Powers and M. A. Hann (with a contribution by J. A. Cousens).

Vintage Tibor Reich fabric with cut out from a 1960s issue of Cabinet Maker and Retail Furnisher, October

It’s clearly the same fabric as shown in the article, we just haven’t been able to find that ‘in situ’ image as yet. We’d love to see one. As well as being used on the plane, these fabrics were probably also used in the airport lounge for Concorde passengers. Someone’s probably got a lovely colour holiday snap with them pictured sipping champagne, reclining on seats covered in it!

Cushion made with vintage Tibor Reich fabric on a leather club chair | H is for Home

We were delighted with the fabric when it arrived. Beautiful colours and striking design – and unused, mint condition too. The cushions were very nicely made, so as cushions they will stay. With Justin’s chair addiction, we’ve got endless chairs to put them on!

Cushion made with vintage Tibor Reich fabric on a leather club chair | H is for Home

We thought they were a very good price too, considering the high profile designer and prestigious client… and a bargain never hurts!

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Price Points: Homeware textiles with tassels

Homeware textiles with tassels | H is for Home

If you don’t have a massive budget and want to add some decorative touches to a room, a few tassels or pom-poms are a quick and easy solution.

There’s a huge variety of homewares that can be given the tassel treatment – curtains to cushions, bedspreads to beanbags.

Tassels can be pared back & natural or colourful & fun. They work with lots of different styles; from luxe to ethnic, modern to classical.

  1. Metallic key tassel – silver/gold: £2.49, Terry’s Fabrics
  2. Pocah multicoloured cotton cushion 45 x 45cm: £45.89 Maisons du Monde
  3. Selina table runner: £118.00, Anthropologie

Designer Desire: Vuokko Nurmesniemi

Mosaic of Vuokko Nurmesniemi designs | H is for Home

This is a Designer Desire post for all you vintage fashion fans! Vuokko Nurmesniemi (born 1930) was one of the two main pattern designers at Marimekko during the 1950s. Her striped Jokapoika (top image) was one of the company’s best sellers.

I just love her big, bold op art designs, many of which are in the New York Met’s permanent collection. Those tent coats and dresses are to die for!

I couldn’t find much of it available online. However, a few sellers on Etsy stock vintage Nurmesniemi-designed Marimekko and her own brand Vuokko Oy pieces.

Portrait of Vuokko Nurmesniemicredit

Additional image credits:

Marimekko | Pinterest

Designer Desire: Barbara Brown

Collage of Barbara Brown textile designs | H is for Home

I went to a Barbara Brown exhibition at the Whitworth Art Gallery in Manchester last week. I was already quite familiar with her work, but seeing them up close and in the flesh I was completely blown away!

Seeing images of her designs in books or online can never do them justice. The sheer scale of the many op art patterns – 1¼ metres wide – make the mind boggle!

Originally from Manchester, Barbara Brown attended Canterbury College of Art and then on to the Royal College of Art. It was at her degree show in 1953 that she was discovered by Tom Worthington, Artistic Director of Heal’s. The rest, as they say, is history. She produced many designs for the company (where she was a contemporary of Lucienne Day) in her two-decade career with them. Her designs won the Council of Industrial Design (COID) award on three occasions.

You can usually find lengths of her fabrics (and ready made soft furnishings if your sewing skills are anything like mine) on eBay and Etsy.

Barbara Brown textile designer © Graham Copekogacredit

Additional image credits:

Pinterest | V&A