Designer Desire: Alfred Daniels

Montage of Alfred Daniels artworks

Viewing sale lots for our Auction Alert series, I always happen across artists & designers that I’ve never come across previously.

Born in Trellis Street in Bow, and affectionately referred to as Danny, Alfred Daniels (1924-2015) is sometimes referred to as the Lowry of the East End – although he once quipped, “I’m not really an East Ender, I’m more of a Bow boy”.

With help from his uncle Charlie, he left school early and enrolled in Woolwich Polytechnic to learn sign-writing. He never completed his course, instead – again, thanks to his uncle – got a job as a lettering artist at the Lawrence Danes Studio in Chancery Lane.

When his uncle started up his own studio in Fetter Lane above the Vogue Magazine photo studio, he went to work for him, earning £1 a week. In 1947, Danny was accepted to attend the Royal College of Art. After gaining his 1st class degree there, he stayed on for a further year to study mural design.

In 1954, he completed his five impressive, award-winning murals inside Hammersmith Town Hall and also participated in their conservation in 1983.

I never wanted to be a painter, I wanted to be an illustrator of life… It isn’t enough to make a picture of something – You have to be there, you have to touch it, you have to experience it.

In 1973, he joined the Royal Watercolour Society, followed by the Royal Society of British Artists a decade later. He was also elected keeper of The Royal Society in 1991.

In addition to his many paintings, he illustrated calendars for Oxford University Press and posters for the General Post Office. He often exhibited at the Russell Gallery in Putney. His work is in the permanent collections of The Science Museum, Manchester Art Gallery, Bradford Museums and Galleries and Nottingham City Museums & Galleries.

For a number of years, he taught at Sir John Cass School of Art – nicknamed the ‘Aldgate Bauhaus’ and now the School of Art, Architecture and Design at London Metropolitan University. As well as teaching, he was the author of a number of books about drawing and painting.

The Gentle Author of Spitalfields Life interviewed and wrote about Alfred Daniels on many occasions. Included in the posts are lots of photos of his sketchbooks and studio in his family home in Bedford Park, Chiswick. You can find out more here.

Making a painting is like baking a cake, one slice is for you but the rest is for everyone else.

Portrait of Alfred Danielscredit

Additional image credits:
Mutual Art

Designer Desire: Bernard Cheese

Montage of Bernard Cheese artworks

Last week, we were introduced to the brilliant work of Bernard Cheese through an upcoming auction of 20th century art at Prior Park in Bath. Bernard Cheese (1925-2013) was a British artist, printmaker and illustrator. He studied at Beckenham School of Art followed by the Royal College of Art between 1947 & 50. It was at the latter where his teachers included Edward Bawden.

Cheese was a tutor in printmaking at St. Martin’s School of Art during the 1950s & 60s, was a lecturer at Goldsmith’s College in the 70s and the Central School of Art and Design in the 80s.

He was a fellow of the Royal Society of Painter-Printmakers (previously the Royal Society of Painter-Etchers and Engravers).

As part of the 1951 Festival of Britain – working with Bawden – he painted a mural on the Lambeth Lead Works Shot Tower. The tower was demolished in 1962 and the Queen Elizabeth Hall was erected on its site. In the same year, he produced the Pantomimes & Circuses poster for London Transport.

His work can be found in the permanent collections of the V&A, Tate Britain, Fry Art Gallery and Nottingham City Museums & Galleries. Apparently, The School of Art at Aberystwyth University owns 87 prints and 12 watercolours by Bernard Cheese, some of which were donated by the artist in June 2002, creating the largest public collection of his work and representing over four decades in Cheese’s career.

Prints of Cheese’s work and books that he has illustrated can be purchased from Amazon, eBay, Etsy , Hayletts Gallery and The Bookroom Art Press.

 

 
 
 
 
 
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A post shared by Chloe Cheese (@chloeacheese)

Additional image credits:
Art UK | Wotton Auction Rooms

Designer Desire: George Westren

Montage of George Westren op art prints

This week, we read a fascinating and, at the same time, sad story on the Guardian website about the virtually unknown op artist, George Westren.

Apparently, he died in 2021 and his housing association home was recently being cleared out. A mere week ago (20th June 2022), near neighbour, Alan Warburton, happened to see all his artworks being dumped in a skip by the removal company. Luckily, Alan managed to retrieve his portfolio; alas, not all of the artworks.

Alan didn’t know George all that well in life, but after rescuing some of his work, he embarked on a mission to find out more about him. Thanks to a Twitter post that went viral, George Westren has gained global recognition. Friends and family have been contacted and they have shared their information and stories.

The artworks in the portfolio have been made into prints and are now available to purchase. Prices range from £70 to £100. Proceeds will be going towards mounting an exhibition of George’s work and securing its preservation and safe storage.

Portrait of George Westrencredit

Geometric lines kept me on the straight and narrow

All other images: © George Westren

Designer Desire: Tom Hare

Montage of Tom Hare willow sculptures

Tom Hare is a British sculptor, working primarily with willow; he creates giant, mainly outdoor, woven pieces.

The natural world is often the subject of his work; fruit, animals, seed pods. I’m especially drawn to his magical oversized mushrooms; morels, chanterelles and boletus.

His site-specific work has been commissioned internationally; for places such as Kew Gardens, the Chelsea Flower Show, Chelsea Physic Garden, Naturhistorisk museum in Oslo, RHS Garden, Wisley, the kitchen gardens at Raymond Blanc’s Le Manoir aux Quat’saisons and a Fortnum & Mason’s autumn window display. Tom Hare explains:

I was first introduced to willow on a weekend course when my imagination was captured by the endless possibilities of this truly amazing plant. Willow is the perfect example of a sustainable material, which can be woven into forms with such spontaneity.

Portrait of Tom Harecredit

Additional image credit