A day out to the National Wool Museum

Piles of Welsh tapestry and narrow loom blankets on display at the National Wool Museum visit: Sat 7 Jun 25

Last weekend, I took a rare trip out away from the village. It was a destination that I’ve been eager to visit almost ever since we moved to West Wales – the National Wool Museum. I went along with about a dozen other members of Llanafan Women’s Institute.

We drove along narrow, winding, country roads (thank goodness for sat-nav!) to Dre-fach Felindre – just outside Llandysul in Carmarthenshire. There was ample space in the car park, and the exhibits began right there within its grounds… which included raised beds containing plants that are used to create natural textile dyes.

Admission is free, and we enjoyed a slow stroll walking around the exhibits set out over two floors. Afterwards, we relaxed with coffee and cake in the spacious museum café and a browse in the adjacent gift shop.

It’s a fascinating and beautiful space – built in the 19th century, it was home to the now sadly defunct Cambrian Mills. In the original long, narrow weaving sheds you’ll encounter huge pieces of still-working industrial machinery along with various tools that were once essential to production.

The thing I went for, though, was the textile collection – and I wasn’t disappointed! Long-term readers will know that I’m a huge fan of vintage Welsh wool tapestry – a passion I developed long before living in Wales was even on our radar. I have a collection of blankets, coats, capes, handbags and purses… not to mention table runners, place mats and coasters. There are numerous examples of all these items on display at the museum; as well as lots of beautiful sample books, contemporary photographs and information boards about the history and processes involved in the production of these quintessentially Welsh creations.

I took sooooo many photos, that I thought it’s best to include them as two slideshows; one for the images that I took in landscape format and the other for the portrait ones. If you’re a fan of industrial history, Welsh history or textile design, I thoroughly recommend a visit – if you’re ever in this neck of the woods and fancy a visit, the museum is open Tuesday to Saturday, 10am-5pm.

  • National Wool Museum visit: Sat 7 Jun 25

Use the arrow icons to navigate left and right through the photos

  • National Wool Museum visit: Sat 7 Jun 25

On our radar: Santa’s Greatest Secret

Santa's Greatest Secret, Lyndon Jeremiah

A friend of mine sent me this video today, it’s so wonderful! Santa’s Greatest Secret was written (and narrated here) by Lyndon Jeremiah with illustrations created by Jennie Harmer.

We may be floating around in Crimbo Limbo right now, but please keep the book in mind as a present for the younger kids next Christmas.

Auction alert: Jewellery, Porcelain, Pottery & Collectables

THREE GLASS ONION WINE BOTTLES

Rogers Jones & Co will soon be holding a Jewellery, Porcelain, Pottery & Collectables sale at their Cardiff site. It takes place on Friday 3rd February 2023 from 10am.

As usual, they have quite a few Welsh interest lots available. My favourite is probably the large 19th Century love spoon. It’s the perfect present for St Dwynwen’s Day or Dydd Santes Dwynwen (the Welsh version of Valentine’s Day)… which happens to be today!

Please note, there’s no room bidding, it’s an online sale only.

To register to bid on the Rogers Jones & Co website, you can only pay via debit card. If you’re a winning bidder, payment for goods is strictly by bank transfer only and your invoice must be settled within 3 working days. They don’t accept payment in person at the saleroom. The buyer’s premium is 24% inclusive of VAT.

Alternatively, you may bid via The Saleroom website; however, there’ll be addition fees to pay.

The auction house does not offer in-house P&P – except for small items that can easily fit in a Jiffy bag. This service is at the buyer’s cost and risk. They do, however, recommend couriers that you can contact. If you’re able to collect, it will be by appointment only and not on sale days.

JOHN MALTBY stoneware sculpture entitled 'Ascending Angel'

Lot 114: JOHN MALTBY (British, 1936-2020) stoneware sculpture

Entitled to base ‘Ascending Angel’, signed, with impressed seal mark to bottom right side, 41cms high
Estimate: £300 – £500

LIBERTY & CO 'TUDRIC' ENGLISH PEWTER BISCUIT BOX, DESIGNED BY ARCHIBALD KNOX

Lot 121: LIBERTY & CO ‘TUDRIC’ ENGLISH PEWTER BISCUIT BOX, DESIGNED BY ARCHIBALD KNOX

Of shaped square form, each side worked in relief with stylised plant form motif stamped ‘0194’ to base, 12cms high x 11cms wide (at the base)
Estimate: £300 – £500

LARGE WELSH LOVESPOON

Lot 175: LARGE WELSH LOVESPOON

Early 19th Century, pointed bowl, long-handle with dome top having geometric pierce-work carving and inlay within sgraffito-line frame and painted sgraffito initials ‘A J’, 35.5cms
Comments: small nicks to bowl tip, split in terminal
Estimate: £700 – £900

CARVED TREEN KNITTING SHEATH

Lot 176: CARVED TREEN KNITTING SHEATH

Believed Welsh, early 19th Century, chip carved all round and with two ball and cages, looped terminal connected to interlocking chain and hook, 57cms long
Estimate: £100 – £150

ASSORTED EWENNY POTTERY

Lot 179: ASSORTED EWENNY POTTERY

Including loving cup incised ‘Glyn-Nedd’, two jugs incised ‘Llaeth’ (one dated 1839-1939), spotted egg cups and similar items, etc. (12)
Estimate: £60 – £80

SWANSEA / NANTGARW PORCELAIN CABINET CUP

Lot 211: SWANSEA / NANTGARW PORCELAIN CABINET CUP

Circa 1815-1817, raised over three claw feet and with gryphon handle with spread-out wings to join the body of the cup, the body applied with two circles of beading, non-decorated academic example, 9.75cms high
Comments: minor hairline to rim
Estimate: £100 – £150

THREE GLASS ONION WINE BOTTLES

Lot 228: THREE GLASS ONION WINE BOTTLES

1 deep olive and 2 iridescent, 2 of compressed form, the other mallet shaped, 18th Century, tallest 18cm H (3)
Comments: 1 with chipped ringed collar
Estimate: £200 – £300

KEITH MURRAY FOR WEDGWOOD: TWO GREEN VASES

Lot 275: KEITH MURRAY FOR WEDGWOOD: TWO GREEN VASES

Conical and spherical form with lateral bands, 28.5cm and 19cm h respectively (2)
Estimate: £200 – £300

Designer Desire: Karel Lek

Montage of Karel Lek artworks

Karel Lek discovered his love for art as a four year old when his father would take him to museums in Antwerp where he found inspiration in Belgian artists such as Constant Permeke and James Ensor.

Lek (1929-2020) and his family fled Antwerp during WWII, arriving as Jewish refugees to North Wales in 1940 when he was still a young boy. He lived there for 17 years before he moved to Beaumaris on Anglesey.

All I ever wanted to be was a painter and coming to Wales really helped me achieve my dream.

He was educated at Friars Grammar School in Bangor and, between 1946 & 52, attended Liverpool College of Art. In 1955, Karel Lek became a member of the Royal Cambrian Academy and was awarded an MBE in 2005.

Because I am an artist, north Wales, Anglesey and Gwynedd, are my main source of inspiration.

Karel Lek exhibited across Wales and in London, Amsterdam and Chicago. His work is contained within the collections of Contemporary Art Society for Wales, National Library of Wales, University of Bangor, Oriel Ynys Môn and Kansas City Art Gallery.

When you are dead, you’re work becomes your heart and your name becomes a brand. I hope I will have left behind a legacy.

Portrait of Karel Lekcredit

Additional image credits:
Art UK | Ask Art | Invaluable