The journey of Buddha statues: From Asia to your home

The journey of Buddha statues: From Asia to your home

Few symbols globally capture such a sense of peace, meaning and deep spirituality as the figure of Buddha. It transcends religious and geographical boundaries, becoming a universal symbol of calmness, mindfulness and personal balance. Whether placed in a tranquil temple courtyard or a modern living room, the Buddha’s serene presence encourages reflection and fosters a feeling of tranquility.

Yet, every Buddha statue carries with it a remarkable story, one that begins in the ancient temples of Asia and finds its way into homes all over the world. This isn’t merely a tale of craftsmanship; it’s a journey through faith, culture and the connections that bring us together.

The origins: Where Buddha statues are born

The art of sculpting Buddha statues dates back over two thousand years, right around the time Buddhism began to spread across Asia. Initially, the Buddha was depicted in a more symbolic manner, using elements like footprints, trees or wheels to convey his essence. However, as time went on, sculptors began to create more relatable depictions of his figure, which helped his followers connect with his teachings on a deeper level.

Countries such as Thailand, Myanmar, Nepal, India and Sri Lanka emerged as hubs of spiritual creativity. Every area brought its unique flair, shaped by regional beliefs and artistic heritage.

In Thailand, statues frequently exhibit refined features and graceful gestures that embody compassion. The designs of Myanmar reflect a deep sense of devotion and elegance, characterised by intricate details and gentle smiles. Nepalese artisans, especially those from the Newar community, have honed their skills in metal casting, producing intricate bronze and gilt statues that exude a sense of sacred energy. Each statue embodies the essence of its region, intertwining artistic brilliance with a deep sense of spiritual reverence.

The artisans behind the work

Crafting a Buddha statue transcends mere industrial methods; it embodies a profound spiritual practice. Numerous artisans approach their craft as a form of meditation, chanting mantras as they shape, carve and perfect every detail.

The journey typically starts with selecting the appropriate material. Bronze stands out as a favoured choice, celebrated for its enduring strength and classic shine. Both wood and stone hold a special place for their natural warmth and solid, reassuring presence. Some artisans skilfully combine materials, incorporating gold leaf or semi-precious stones to further deepen the symbolic significance.

Every detail is intentional. The gentle curve of the lips conveys a sense of compassion, while the closed eyes signify a state of enlightenment and the lotus pedestal embodies the purity that emerges from the fleeting nature of existence. As the last brushstroke or polish is applied, the artist takes a moment to bow, recognising that the piece is now both finished and revered.

The selection process: From Asia to the world

Delivering genuine Buddha statues to collectors and spiritual sanctuaries around the globe is truly a journey marked by dedication and reverence. Businesses like Original Buddhas invest years in carefully sourcing items directly from temples, monasteries and reputable artisans throughout Asia.

Representatives frequently journey to distant areas to connect with artisans, guaranteeing that each statue embodies genuine authenticity and integrity. They work hand in hand with local communities to safeguard traditional methods while ensuring fair and ethical trade practices.

This careful selection process ensures that every statue is not merely a beautiful object but a true representation of Asian spirituality. Bringing one home means acquiring not just a piece of art, but a fragment of living history, meticulously crafted over centuries of passion and dedication.

Authentic vs. replicas: Understanding the difference

In the current market, one can find a range of both genuine and replica Buddha statues, each differing greatly in significance, artistry and the energy they convey.

Genuine statues are either vintage or crafted by hand employing time-honoured casting or carving methods. They frequently display minor flaws, delicate inconsistencies that emphasise their genuine nature and personal craftsmanship. In contrast, replicas are created en masse using moulds and machinery. Although they may catch the eye, they fall short in terms of depth, aura and the rich cultural significance found in hand-crafted creations.

The selection of materials is significant as well. Genuine creations are made from durable, organic materials such as bronze, wood or stone. These materials mature elegantly, developing a rich patina and texture that enhance their allure as time goes by. Replicas, typically crafted from resin or composite materials, may initially appear similar but rarely possess the same durability or emotional resonance.

Opting for authenticity transcends mere aesthetic choice; it embodies a commitment to respecting history and tradition.

Integrating Buddha statues into modern interiors

In modern interior design, Buddha statues serve as a connection between sophistication and serenity. They bring a serene vibe to environments, enhancing them with cultural depth and visual harmony.

Creating a Zen-inspired interior

A Buddha statue effortlessly enhances minimalist and zen-inspired environments. Envision a space adorned with light wood furnishings, soft hues and a warm, inviting glow of natural light, an ideal backdrop for reflection. Positioning the statue on an elevated surface like a low table, pedestal or recessed niche enables it to capture attention while maintaining a harmonious balance within the space.

The aim is to achieve balance. In Zen philosophy, each component is meant to foster tranquillity. The Buddha stands as a quiet reminder, encouraging you to pause and take a breath amid the everyday hustle.

Designing a meditation corner

For individuals engaged in meditation or mindfulness, adding a Buddha statue can elevate the ambiance of the environment. Utilising it as a visual anchor sharpens focus and fosters a sense of ritual consistency. Incorporate cushions, plush textiles and the warm glow of candles and watch as the area evolves into a personal haven, an oasis for serene contemplation.

Numerous practitioners choose to light incense prior to meditation, representing the cleansing of both mind and spirit. In this environment, the statue transcends mere decoration; it becomes a steadfast ally in your pursuit of understanding.

Balancing energy through feng shui

In feng shui, the Buddha symbolises abundance, peace and the movement of positive energy.  The positioning is crucial.  A statue at the entrance invites positive energy into the home, while another in the living room fosters harmony among family members.

When oriented towards the east, a direction associated with enlightenment, the Buddha represents renewal and spiritual awakening.  Respect is paramount: always keep it elevated and away from disorganised spaces.  A pristine and elevated environment fosters a more favourable energy flow.

The spiritual meaning behind Buddha statues

Each Buddha statue narrates a unique tale. The way it stands, moves and expresses itself is rich with meaning that goes beyond the boundaries of time and culture.

Understanding mudras

The word ‘mudra’ denotes the symbolic hand gestures found in Buddhist art. Every one imparts a unique spiritual insight:

  • Dhyana mudra – hands gently placed in the lap, thumbs meeting, embodying a sense of meditation and equilibrium.
  • Abhaya mudra – hand lifted with palm facing outward, symbolising courage and safeguarding.
  • Bhumisparsha mudra – One hand resting on the earth, evoking the instant when the Buddha reached enlightenment.

The gestures direct the observer toward particular virtues, tranquillity, empathy or enlightenment and shape the ambiance of the statue’s surroundings.

The power of expression

Facial expressions convey significance as well. A soft smile reveals a sense of contentment; slightly closed eyes suggest deep thought; an upright stance signifies both resilience and awareness. The nuance of these expressions is deliberate, encouraging the viewer to reflect their own feelings and discover a connection within.

A Buddha statue serves as a reflection of the soul, reminding us that true peace resides within ourselves, rather than in the external world.

Why choose authentic Buddha statues?

Selecting a genuine statue is a thoughtful choice to embrace art that embodies both elegance and authenticity. In a time characterised by rapid manufacturing and throwaway aesthetics, genuine Buddha statues emerge as enduring gems, deeply anchored in artisanal skill.

They embody three timeless values:

  • Durability and longevity – crafted from timeless materials, these statues mature beautifully, evolving into cherished family heirlooms that transcend generations.
  • Cultural preservation – every item champions artisans dedicated to preserving traditional craftsmanship, safeguarding a rich heritage that has stood the test of time.
  • Spiritual authenticity – genuine artistry embodies a deep sense of awareness and commitment. Genuine statues exude a serene energy that imitations simply cannot match.

Embracing authenticity allows you to weave history and spirituality into your living space, all while championing ethical and sustainable craftsmanship.

The journey’s end: From temple to home

When a genuine statue finally arrives at your home, its journey comes to an end, but its narrative lives on through you. Whether situated in a cosy reading corner, a serene garden or a sleek urban apartment, it elevates the environment into a realm of contemplation and balance.

For some, it serves as a gentle nudge to embrace mindfulness each day. For some, it stands as a masterpiece representing elegance and harmony. The presence of a Buddha statue enhances both the visual appeal and emotional health, transcending personal beliefs.

Caring for your Buddha statue

Maintaining the authenticity of your statue is crucial, particularly for vintage or artisanal creations. Carefully dust with a soft cloth, steering clear of direct sunlight to preserve intricate details and refrain from using any harsh cleaning agents. Whether crafted from bronze or wood, a periodic touch-up with natural oils keeps its lustre intact and helps avoid any cracking.

Above all, handle it with the utmost respect. In Buddhist culture, nurturing the statue symbolises nurturing your own inner tranquillity.

The modern appeal: Mindfulness meets design

The current resurgence in mindfulness and sustainability has sparked a renewed fascination with Buddhist art. Homeowners and designers appreciate Buddha statues not just as decorative pieces but as symbols of mindful living.

Their presence harmonises beautifully with sustainable interiors, environments that highlight minimalism, organic materials and well-being. This fusion of spirituality and design signifies a broader cultural transformation: a transition from excess to genuine authenticity.

FAQs about Buddha statues and home integration

  1. What materials are most common for authentic Buddha statues?

Bronze, stone and wood stand out as classic choices, celebrated for their lasting strength and rich meanings.

  1. How can I verify the authenticity of a statue?

Seek out indications of artisanal creation, the charm of age and a rich history. Esteemed sellers like Original Buddhas offer certificates along with comprehensive histories of origin.

  1. Is it disrespectful to place a Buddha statue at home if I’m not Buddhist?

Not at all. When presented with reverence, it embodies fundamental ideals such as harmony and empathy, going beyond religious boundaries.

  1. Where should I place a Buddha statue for good energy?

Optimal spots include tidy, raised areas like meditation corners, living rooms or entryways, always avoiding direct placement on the floor or near disarray.

  1. How do Buddha mudras influence energy?

Every gesture conveys a unique form of uplifting energy, whether it be through meditation, courage or insight, influencing the spiritual ambiance of the space.

  1. Why are antique statues so valuable?

Their historical significance, meticulous craftsmanship and scarcity render them not only spiritually enriching but also a wise investment as time progresses.

  1. Can modern décor styles include Buddha statues?

Absolutely. Contemporary and minimalist homes frequently showcase Buddha sculptures, serving as sophisticated focal points that blend design with a sense of calm.

The living spirit of the Buddha in your home

The Buddha statue embarks on a timeless journey, from revered temples in Asia to serene residences across the globe, embodying messages of peace, mindfulness and compassion. Each creation narrates a tale that embodies not only craftsmanship but also a deep commitment to thought and reflection.

Welcoming one into your space means you become part of its narrative. You embrace calmness amidst the hustle, insight into everyday practices and elegance that goes beyond fleeting styles.

In the serene company of the Buddha, environments seem to lift, emotions find balance and consciousness expands. This ancient art offers a remarkable connection, linking cultural heritage with awareness, bridging the timeless traditions of Asia and the contemporary home in pursuit of peace.

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Auction Alert: We Ain’t dED Yet

Zedsy - 'Stop Bombing'

We Ain’t dED Yet is a timed, online auction that’s live right now. It ends on Sunday 17th September 2023 at 3pm. There are 26 lots in total, donated by artists such as Gavin Turk, Adam Broomberg, Jeremy Deller and Imranovi. In the run-up to the sale, the items form an exhibition at Gallery 46 in Whitechapel, London.

Back for its 4th edition, Art the Arms Fair and Demilitarise Education are presenting We Ain’t dED Yet, an exhibition aiming to expose and oppose DSEI arms fair through art. The award-winning art exhibition runs from 11-17 September and culminates with a cross-category online auction… The proceeds will be donated to support the work of Demilitarise Education in their campaign for universities to sever ties with the global arms trade.

EPI, 'GUNRUNNER'

Lot 1: EPI

‘GUNRUNNER’
Silkscreen print on 350gsm watercolour paper. Unframed dimensions: 59.4cm x 84.1cm. Produced in 2023 specifically for this exhibition. This is a unique work. The artist produced 2 smaller sized AP’s in the following dimensions: 29.7cm x 42cm.
Estimate: £1,000 – £3,000

To participate in Art The Arms Fair this year will be a wonderful opportunity both to protest against the senseless commercialisation of war, and in some small way to lend my voice along with some hugely talented artists in supporting the commendable work of dED_ucation. Plus it’s one in the eye for Oxford University, who turned me down for a modern languages degree and forced me into a life of painting crap for a living. C’est la vie, I suppose. – EPI

Ken Nwadiogbu - 'Freedom to Love 2'

Lot 2: Ken Nwadiogbu

‘Freedom to Love 2’
Charcoal and acrylic on cardboard paper. This is a unique work. Signed on verso. Produced in 2022. Unframed dimensions: 41cm x 41cm.
Estimate: £1,200 – £1,900

I recall an article I encountered, bearing the headline “FINALLY FREE.” It sparked a reflection on the significance of freedom and our unending pursuit to liberate ourselves from various burdens: be it pain, debt, memories, obstacles, illness, or the chains of enslavement. The discourse on freedom serves as a poignant reminder of its immeasurable worth, reigniting our resolute commitment to its attainment. Within the realm of Freedom Protesters, my endeavor revolves around crafting a protest tableau utilizing the simplest of protest materials—the humble cardboard paper. – Ken Nwadiogbu

Kyle Goen - 'Gaza Love Stamp'

Lot 4: Kyle Goen

‘Gaza Love Stamp’
30 stamps on a sheet. Dimensions of each unframed stamp sheet: 21.6cm x 28cm. The auction lot includes 5 sheets. Produced in 2023. Limited edition of 100. Numbered on recto. Artwork for sale includes 51/100, 52/100, 53/100, 54/100, 55/100.
Estimate: £200 – £600

Gaza Love was more influenced by General Idea’s AIDS piece and Rage Against The Machine’s ‘Renegades’ album cover than Robert Indiana. However I realize neither transgression would have been possible without Indiana’s iconic LOVE.

Why am I participating in this year’s edition of Art The Arms Fair? Any chance to act in solidarity with Palestine or with people working in solidarity with Palestine, is a must for me. – Kyle Goen

Kyle Goen - 'Let Art Be Training in the Practice of Freedom'

Lot 6: Kyle Goen

‘Let Art Be Training in the Practice of Freedom’
Button up shirt, mixed media. Framed dimensions will be updated in due course. This is a unique work, artist’s own. Produced in 2022.
Estimate: £320 – £480

The ‘Let Art Be Training In the Practice of Freedom’ shirt was in my show of the same name, and is a humble attempt at honouring Vivienne Westwood for everything she did trying to transform society. – Kyle Goen

Gavin Turk - 'Fire Water'

Lot 10: Gavin Turk

‘Fire Water’
Gold foil, glass bottle and shelf. This is a unique work. Produced in 2019. Sculpture dimensions: 36.2cm x 9.8cm x 7.7cm. Shelf dimensions: 25cm x 15cm x 13cm. COA provided by the artist upon acquisition.
Estimate: £8,000 – £12,000

In today’s political and environmental climate, it is more important than ever to decouple education and the arms trade, and bring about peace and understanding – Gavin Turk

Dr.d aka Subvertiser - 'Reduce Greed Now'

Lot 12: Dr.d aka Subvertiser

‘Reduce Greed Now’
Hand-pulled screen print on a recycled road sign, made with permanent vegetable inks (eco-friendly, water based). Limited edition of 50, numbered and signed on verso. Artwork for acquisition is 3/50. In collaboration with Carry On Screening. Unframed dimensions: 52.7cm x 44cm. COA available upon acquisition from the artist. Produced in 2022.
Estimate: £150 – £300

Elizabeth Eade - 'Bang'

Lot 16: Elizabeth Eade

‘Bang’
Mixed media, including second world war bullets, crystals and 24k gold. Dimensions are approx. 45cm x 45cm x 45cm. Produced in 2023 specifically for this exhibition. This is a unique work.
Estimate: £2,000 – £4,000

‘Bang’ commands attention. Yet, beneath the surface lies a profound exploration of the consequences of our actions and the lasting impact they leave on the world. The striking contrast between the burgundy velvet base and the mirror, immediately draws the viewer’s attention. The darkness of the bloodied velvet serves as a poignant backdrop for the shattered round mirror, hinting at a narrative of destruction and loss. The choice of 24k gold-plated Second World War bullets accentuates the sculpture’s underlying message. Each bullet, adorned in gold, carries with it the weight of historical conflicts and human suffering. The juxtaposition of opulence and warfare serves as a powerful commentary on the links between luxury culture, capitalism and war. – Elizabeth Eade

Zedsy - 'Stop Bombing'

Lot 23: Zedsy

‘Stop Bombing’
Spray paint on aluminium road sign. Unframed dimensions: 45cm x 45cm. Produced in 2023. This is a unique work. COA provided by the artist upon acquisition.
Estimate: £400 – £600

Graffiti artists and military personnel have a lot in common – we both spray our ammunition. But paint is a bit less deadly and can be used as a force for good. – Zedsy

Auction alert: Modern & Contemporary African Art

Yusuf Adebayo Cameron Grillo - "The Seventh Knot", 1969

The Modern & Contemporary African Art auction takes place on Wednesday 22nd March 2023 from 3pm, at Bonhams in their New Bond Street, London location. There are 67 lots in the sale, with estimates ranging from £700 to £500,000.

The fine art on sale is from across the continent and a range of mediums; South Africa, Nigeria, Ethiopia and the Ivory Coast. Oil on canvas, wooden sculpture and gouache on card and – my favourite item in the sale – a chimp created out of old vehicle tyres. It immediately reminded me of a piece that I saw in the Picasso Museum in Paris many years ago. It was a sculpture of a baboon and young where the mother’s face was composed of a pair of bronze casts of toy Citroen 2CVs.

Buyer’s premium rates
 are as follows:

27.5% on the first £20,000 of the hammer price
26% of the hammer price of amounts in excess of £20,000 up to and including £700,000
20% of the hammer price of amounts in excess of £700,000 up to and including £4,500,000
14.5% of the hammer price of any amounts in excess of £4,500,000

VAT at the current rate of 20% will be added to the Buyer’s Premium and charges excluding Artists Resale Right.

Zanele Muholi - "Ngizwile", 2021

Lot 3: Zanele Muholi (South African, born 1972)
Ngizwile, 2021
signed, titled and dated ‘Zanele Muholi/ Ngizwile/ 2021/ 120x180cm/ ZM’ (verso)
acrylic on canvas
180 x 120cm (70 7/8 x 47 1/4in).
(unframed)
Estimate: £10,000 – £15,000

Afewerk Tekle - Ibeji and other objects

Lot 12: Afewerk Tekle (Ethiopian, 1932-2012)
Ibeji and other objects
signed and dated in Amharic and ‘afewerk tekle/1964’ (lower left)
oil on canvas on board
50.5 x 75.4cm (19 7/8 x 29 11/16in).
(unframed)
Estimate: £8,000 – £12,000

Abdoulaye Diarrassouba "Aboudia" - Untitled

Lot 14: Abdoulaye Diarrassouba “Aboudia” (Ivorian, born 1983)
Untitled
signed ‘ABOUDIA/ 18’ (lower right)
oil stick, acrylic and collage on canvas
100 x 100cm (39 3/8 x 39 3/8in).
(unframed)
Estimate: £30,000 – £50,000

Yusuf Adebayo Cameron Grillo - "The Seventh Knot", 1969

Lot 17: Yusuf Adebayo Cameron Grillo (Nigerian, 1934-2021)
The Seventh Knot, 1969
signed and dated ‘Y GRILLO/ 69′ (lower left); inscribed ’22/ THE SEVENTH KNOT/ OIL ON BOARD BY/ Y.A GRILLO 1969’ (verso)
oil on board
121 x 75cm (47 5/8 x 29 1/2in).
(framed)
Estimate: £150,000 – £200,000

Ablade Glover - "Pot Sellers"

Lot 21: Ablade Glover (Ghanaian, born 1934)
Pot Sellers
signed and dated ‘Glo/ 12’ (lower right); inscribed ‘Market Profile pot sellers, Glo -86/012, 40×60’ (verso)
oil on canvas
102 x 152cm (40 3/16 x 59 13/16in).
(framed)
Estimate: £12,000 – £18,000

Benedict Chukwukadibia Enwonwu M.B.E. - "Africa Dances", 1991

Lot 24: Benedict Chukwukadibia Enwonwu M.B.E (Nigerian, 1917-1994)
Africa Dances, 1991
signed and dated ‘BEN ENWONWU 1991’ (lower left)
oil on canvas
70 x 60cm (27 9/16 x 23 5/8in).
(framed)
Estimate: £150,000 – £200,000

Ablade Glover - "Lorry Station"

Lot 27: Ablade Glover (Ghanaian, born 1934)
Lorry Station
signed and dated ‘Glo/ 20’ (lower right)
oil on canvas
102 x 102cm (40 3/16 x 40 3/16in).
(unframed)
Estimate: £5,000 – £8,000

Stanley Faraday Pinker - "Untitled "

Lot 30: Stanley Faraday Pinker (South African, 1924-2012)
Untitled
signed ‘SF Pinker’ (lower left); bears ‘John Mathieson & Co., Edinburgh’ label (verso)
oil on board
21.1 x 43.7cm (8 5/16 x 17 3/16in).
(framed)
Estimate: £4,000 – £6,000

Lucas Tandokwazi Sithole - Sculpture

Lot 36: Lucas Tandokwazi Sithole (South African, 1931-1994)
Sculpture
signed ‘L.T.SITHOLE’ (to the base)
wood
46.5 x 10 x 9cm (18 5/16 x 3 15/16 x 3 9/16in)
Estimate: £3,000 – £5,000

Irma Stern - "Still life of fish"

Lot 41: Irma Stern (South African, 1894-1966)
Still life of fish
signed and dated ‘Irma Stern/ 1939’ (centre right)
oil on canvas
49.7 x 59.7cm (19 9/16 x 23 1/2in).
(framed)
Estimate: £30,000 – £50,000

Benedict Chukwukadibia Enwonwu M.B.E. - "Dancer", 1958

Lot 53: Benedict Chukwukadibia Enwonwu M.B.E. (Nigerian, 1917-1994)
Dancer, 1958
signed and dated ‘Ben Enwonwu/ 1958′ (lower left); inscribed ’22’ (verso)
gouache on card
53 x 13cm (20 7/8 x 5 1/8in).
(framed)
Estimate: £10,000 – £15,000

Ernest Nkwocha - "Deep Thought", 2021

Lot 66: Ernest Nkwocha (Nigerian, born 1986)
Deep Thought, 2021,
signed ‘ERNEST NKWOCHA’ (right shoulder)
wire, nails, and repurposed tyres on plinth
60 x 53 x 42cm (23 5/8 x 20 7/8 x 16 9/16in).
Estimate: £3,000 – £5,000

Designer Desire: Karel Lek

Montage of Karel Lek artworks

Karel Lek discovered his love for art as a four year old when his father would take him to museums in Antwerp where he found inspiration in Belgian artists such as Constant Permeke and James Ensor.

Lek (1929-2020) and his family fled Antwerp during WWII, arriving as Jewish refugees to North Wales in 1940 when he was still a young boy. He lived there for 17 years before he moved to Beaumaris on Anglesey.

All I ever wanted to be was a painter and coming to Wales really helped me achieve my dream.

He was educated at Friars Grammar School in Bangor and, between 1946 & 52, attended Liverpool College of Art. In 1955, Karel Lek became a member of the Royal Cambrian Academy and was awarded an MBE in 2005.

Because I am an artist, north Wales, Anglesey and Gwynedd, are my main source of inspiration.

Karel Lek exhibited across Wales and in London, Amsterdam and Chicago. His work is contained within the collections of Contemporary Art Society for Wales, National Library of Wales, University of Bangor, Oriel Ynys Môn and Kansas City Art Gallery.

When you are dead, you’re work becomes your heart and your name becomes a brand. I hope I will have left behind a legacy.

Portrait of Karel Lekcredit

Additional image credits:
Art UK | Ask Art | Invaluable