Auction Alert: Rogers Jones Co Welsh Sale

The Rogers Jones Co Welsh Sale takes place on Saturday 19^th November 2022, from 9am at their Cardiff site.

Of the 608 lots on offer, our favourites by far are the antique Welsh lovespoons. There’s even one example (lot #592) that’s perfect for us; it’s carved with an ‘A’ and a ‘J’… for Adelle & Justin!

Rogers Jones Co’s buyer’s premium stands at 28.8%. There will be an added fee if you bid via The Saleroom. Before bidding on any original artworks please bear in mind:

There will also be a Droit de Suite / Artist’s Resale Right charge of 4% on original artwork by EEA based artists on hammer prices of 1000 euros or over (GBP equivalent)

Lot 19: KAREL LEK limited edition (13/13) print
Seated male with pint glass and cigarette, signed in pencil
Dimensions: 33 x 26cms
Provenance: private collection Gwynedd
Condition report: framed and glazed, no problems
Estimate: £100 – £200

Lot 34: PAUL PETER PIECH limited edition (8/25) three-colour lithograph
Homage to R S Thomas, signed and dated 1993, signed
Dimensions: 53 x 44cms
Provenance: private collection Cardiff
Condition report: framed and glazed
Estimate: £150 – £250

Lot 36: VALERIE GANZ limited edition (4/50) print
Head and shoulders study of four miners entitled ‘Leaving the Coalface’, signed
Dimensions: 18 x 38cms
Provenance: private collection South East of England
Condition report: framed and glazed, ready to hang
Estimate: £150 – £200

Lot 155: MIKE JONES mixed media, colourwash and ink
Seated gentleman with legs crossed, signed
Dimensions: 22 x 17cms
Provenance: private collection Cardiff
Condition report: framed and glazed, no problems
Estimate: £300 – £500

Lot 468: MURIEL DELAYAHE oil on board
Two figures struggling with umbrellas, signed
Dimensions: 46 x 61cms
Provenance: private collection Ynys Mon
Condition report: framed, sl. attention required to frame, ready to hang
Estimate: £2,000 – £3,000

Lot 565: AN IMPORTANT ARTS & CRAFTS SLIPWARE POTTERY JUG BY HORACE ELLIOTT
Yellow glaze and brown slip, of baluster form tapering to a circular spreading foot, with angel wing-form handle and wide curved spout, sgraffito feathers to wing and to the body ‘Here is a mixture, of Earth and Heaven, An Angel’s wing to a pitcher given, Take hold of the wing, for a handle, pray! Or the vessel of earth may fly away’. signed at foot ‘Copyright Horace Elliott’ and at base ‘Elliott, London 1893’
Dimensions: 28cms high
Provenance: private collection Kansas City, USA
Condition report: minor losses to glaze, crazing / stress marks from use as a vase but excellent overall
Tip of feather chipped and other small chips to handle. Slip glaze faults beneath spout.
Estimate: £700 – £1,000

Lot 572: WILLIAM IV WELSH NEEDLEWORK SAMPLER
By Rachael John, aged 14, Narberth, December 3 1832, decorated with alphabet, numbers, four-line poem, birds, trees, house, Adam & Eve under the tree of life etc
Dimensions: 40 x 41cms
Provenance: deceased estate South Wales
Condition report: framed and glazed, faded and browned. There are some holes present, mainly around the edges. The sampler has faded and browned in colour.
Estimate: £200 – £300

Lot 591: LATE 18^TH CENTURY CARVED TREEN WELSH LOVE SPOON
Having a pointed bowl to an unusual openwork stem to the arched handle, profusely carved with opposing geometric shapes, panels and hearts and with the letters ‘N’ and ‘S’ to flank a centre spoked wheel
Dimensions: 25.5cms long
Provenance: private collection Denbighshire
Condition report: good overall, old repair and splits to decoration, small chips as one would expect
Estimate: £500 – £700

Lot 592: LARGE WELSH LOVESPOON
Early 19^th Century, pointed bowl, long-handle with dome top having geometric pierce-work carving and inlay within sgraffito-line frame and painted sgraffito initials ‘A J’
Dimensions: 35.5cms
Provenance: private collection Denbighshire, by descent
Condition report: small nicks to bowl tip, split in terminal
Estimate: £1,000 – £1,500

Lot 593: RARE WELSH YEW DOUBLE BOWL LOVESPOON
Late 18th Century, having pointed bowls with pierce-work handle of centre triskele (trisgel), flanking hearts and flowers, repeated piercework at terminal
Dimensions: 23cms long
Provenance: private collection Denbighshire, by descent
Condition report: restored break
Estimate: £1,500 – £2,000

Auction Alert: Sale of 20th Century Art to be held at Prior Park, Bath

Wotton Auction Rooms will be running a Sale of 20^th Century Art at the National Trust property, Prior Park, Bath.

272 lots will be coming under the hammer on Friday 22^nd July 2022, from 12pm. Artists represented include some of our old favourites such as Paul Peter Piech and David Gentleman – the latter well known for his postage stamp designs. In addition, we’ve been introduced to a few new artists that we’d like to find out more about; William Scott CBE, Anita Klein and Bernard Cheese amongst others.

If you register on the Wotton Auction Rooms website, you can leave auto and absentee bids. There’s a buyer’s premium of 21.6% and, if bidding via their website, an additional premium of 3.6% (plus VAT) will be levied.

Alternatively, you can bid live via the EasyLiveAuction website for a £3.00 flat fee or 3% of the final hammer price. The buyer’s premium still stands.

Unfortunately, the auction house doesn’t offer a packaging and posting service, so you’ll have to organise your own if you’re unable to collect in person.

Lot 24: WILLIAM SCOTT C.B.E., R.A. (1913-1989) ‘STILL LIFE WITH FRYING PAN AND EGGS’
Screenprint in colours on wove paper, signed, dated and numbered in pencil, printed by Kelpra Studio, published by CCA Galleries, London, with their blindstamp. 91/250. 67cm x 88cm.
Estimate: £3,000 – £5,000

Lot 33: EDWARD BAWDEN C.B.E., R.A. (1903-1989) ‘BOROUGH MARKET’
Lithograph in colour, artist’s proof, signed, titled and numbered in pencil, A/P. 2. 50.5cm x 65cm.
Estimate: £1,000 – £1,500

Lot 46: ROBERT TAVENER (1920-2004) ‘PIERHEAD’ (NO.3)
Linocut in colours. signed, titled, numbered and dated 1966, in pencil to margin. 16/30. 67.5 x 54cm.
Estimate: £200 – £300

Lot 60: BRIDGET RILEY CH, CBE (b.1931) POSTER POEM ‘DESCENDING’ 1968
Screenprint, from the edition of an unknown size, unsigned, probably published by Editions Alecto. 64cm x 65.5cm.
Estimate: £500 – £800

Lot 76: ANITA KLEIN (b.1960) ‘NIGE & THE NECKLACE’
Etching, signed, numbered and dated 2002 in pencil to margin. 21/100. 12cm x 14cm.
Estimate: £100 – £200

Lot 87: BEN NICHOLSON O.M. (1894-1982) ‘SMALL STILL LIFE’ 1966
Etching, signed, numbered and dated in pencil – annotations to verso “Small Still Life, 1966 Ben Nicholson”. 10/25. Lafrance blindstamp. 32cm x 31cm.
Estimate: £800 – £1,200

Lot 114: JOHN PIPER C.H. (1903-1992) ‘NORTH GRIMSTONE’ YORKSHIRE
(Levinson 128) lithographs in colour, signed and numbered in pencil to margin. 61/70. 82cm x 59cm.
Estimate: £300 – £500

Lot 128: DAME ELIZABETH BLACKADDER O.B.E., R.S.A., R.S.W., R.G.I., D.LITT (1931-2021) ‘STAITHES’
Lithograph in colour, signed, titled and dated 1963 in pencil to margin. Inscribed “407” in pencil, Curwen Chilford Studios blindstamp. 57cm x 80cm.
Estimate: £300 – £500

Lot 162: SIR PETER BLAKE C.B.E., R.D.I., R.A. (b.1932) ‘I LOVE VINTAGE’
Digital tin plate print, unnumbered limited edition of 2,500. Published by Creatively Recycled Empire and printed by Impress Group, with certificate and papers. 22cm x 17cm.
Estimate: £150 – £250

Lot 169: PAUL PETER PIECH (1920-1996) ‘JAZZ’
‘Evolved in part from spirituals, sung by slaves, jazz is the only true American music form, It was created by blacks for blacks’. Linocut in colours, signed, numbered and dated 1995 in pencil. 1/25. 64cm x 45cm.
Estimate: £200 – £300

Lot 174: BERNARD CHEESE (1925-2013) ‘RING OF TREES’
Lithograph in colours, artist’s proof III, signed, titled and dated 1965 in pencil. 79cm x 59cm.
Estimate: £200 – £300

Lot 202: BARBARA VINCENT (20TH CENTURY CONTEMPORARY) ‘FRIESON COWS’
Linocut in colours, signed, titled and numbered in pencil. 6/9. 32.5cm x 38.5cm.
Estimate: £100 – £200

Lot 218: DAVID GENTLEMAN (b.1930) ‘CURLEW STREET, LONDON’
Lithograph in colours, signed and numbered in pencil. 112/195. Blindstamp lower right. 61cm x 51cm.
Estimate: £100 – £200

Lot 234: ERIC RAVILIOUS (1903-1942) ‘GARDEN MEMORIES’
Wood engraving, signed with initials ‘AU’ for Anne Ullman (the artist’s daughter) and numbered in pencil. 100/200. An illustration for Thomas Hennell’s ‘Poems’ 1936.
Estimate: £150 – £250

Designer Desire: Paul Peter Piech

A week or so ago, we were in an antique shop in Aberystwyth when a framed, limited-edition, lino-cut print poster hanging on the wall caught our eye; it was signed, ‘Paul Peter Piech’. We’d never heard of the artist, so I made a note of the name to check him out when we returned home.

Paul Peter Piech (1920-1996) was a Brooklyn-born artist of Ukrainian parentage. As a GI during the 2nd World War, he’d been posted to Cardiff. Whilst there, he met his future wife, Irene Tompkins. She didn’t fancy the idea of moving to the US, so they remained in the UK, eventually settling in Wales.

Piech’s posters were often on the subjects of equality, justice, human rights, anti-war, anti-racism, the environment and jazz. His artworks were regularly set with quotes from pre-eminent poets and orators such as Martin Luther King, Desmond Tutu, John F. Kennedy, Harri Webb and Walt Whitman.

In 1959, Piech founded the Taurus Press of Willow Dene in Bushey Heath, Hertfordshire. It printed limited-edition books on poetry by the likes of William Blake, Hugo Manning, John Donne, John Cotton, Neil Spratling and Graham Searle. He provided the accompanying illustrations for these publications.

In the 1980s, Piech donated in excess of 2,500 prints and posters to the V&A’s permanent collection. After his death, his family donated an extensive portfolio of his later work to the Regional Print Centre and Art & Design department at Yale College, Wrexham.

Because of his abundance of production (and despite the small print runs), his works are fairly easy to come by; original prints and posters can be found at auction or on eBay and Etsy. Books by and about him can be found on Amazon and Hive.

I’ve been called a Fascist. I’ve been called a Communist. I’ve been called a racist. I’ve been called everything after any of my shows happen because of certain posters, you see. But they can’t pin me down to any ‘isms… I just look at humanity the way it is and then I make a graphic expression of it. The purpose of graphic expression is to realize some truth that they’re missing and to do something about it… I don’t want to sit around and be silent.

Paul Peter Piech

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Tag: Paul Peter Piech

Auction Alert: Rogers Jones Co Welsh Sale

Auction Alert: Sale of 20th Century Art to be held at Prior Park, Bath

Designer Desire: Paul Peter Piech